Eyes-Cream Visits the Stately Beat Manor Staff Pull for 8/12/15

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After a hard week at the mansion the Beat Staffers (authors of the world’s premiere comic book website The Beat) went out for ice cream....

MATT CHATS: Paul Allor on Making TET, An IDW Comic about Love and War

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I’ve had the pleasure of getting to know Paul Allor, mostly through Comics Experience, a workshop for people who want to create comics. He’s...

Marvel Month-to-Month Sales–June 2015: Too Much Choice On The Menu!

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by Xavier Lancel

Welcome to a new analysis of the Marvel sales. Reminder: I'm French, that's why I'm talking funny. Please address your complaints to my over-drugged cyclists country.
Reminder: those sales are estimates, sales to comics shops located in North America. American comics do get sold somewhere else in their original floppy edition. Keep also in mind that just because a copy is sold to a shop doesn't mean it's sold to a customer. This would be way too easy. Digital sales are not taken into account.

This month, a horde of mini-series (or ongoing, who knows, Marvel hasn't been very clear on that) is invading the Marvel chart. Only one thing is sure: everything will be relaunched (or should I say renumbered) past Secret Wars (SW). The Last Days banner, supposed to frighten customers ("Oh, look, that's his last adventure in the old MU! "), is working like a charm for titles who were struggling to stay alive.

As always, tons of Star Wars franchise comics are sold, reordered, repackaged. The $5 price tag is less predominant this month but the test worked: customers are ready to pay $5 for, not caviar in a nice box, but paté wrapped in journal paper: you'll have to do your own cover, cut the ads and add the still missing 2 pages that were lost "to keep the prices low "...

IDW’s parent company stock splits 10-for-1 and gets new ticker name

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As we've mentioned here a few times, the majority owner of IDW is actually a holding company, formerly known as CTM MEDia Holdings, but...

Phonogram: The Immaterial Girl #1 is a Deep Comic About Shallowness

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By Cal Cleary "... what really matters is what you like, not what you are like." - High Fidelity Welcome back to Phonogram, Kieron Gillen and Jamie...

Deadpool and Cable go Existential for a Split Second with Brown and Nicieza

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Deadpool and Cable might not be the best of friends, but that doesn’t stop Marvel from teaming up the unlikely duo again and again....

State of the Industry : The floppy abides

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And with another "where are we at now" the revamped Trouble with Comics (or "Middle Aged White (mostly) Men on Comics") looks at the state of the pamphlet, or periodical comic, as we like to call it here at Stately Beat Manner. The question, McLaughlin Group style, is

State of the Digital Industry: Amazon/Comixology gets bigger

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Comics business has generally been on an upward trajectory of late, but there are several signs that's things are slowing down a bit. No...

Did Watchmen Steal From The Outer Limits, Or From Jack Kirby?

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At the end of Watchmen, a television set in the background announces a rerun of The Outer Limits episode "The Architects Of Fear." This was a...

Fall Preview: Merry Misadventures in Julia Wertz’s Drinking at the Movies

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Continuing our look at this fall's top graphic novels, Koyama Press is reissuing Julia Wertz's Drinking at the Movies, originally published by Three RIvers...

This Weekend: Autoptic in Minneapolis

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This weekend's premiere comics event is Autoptic, the Minneapolis stop on the ongoing indie comics festival tour. Guests include Josh Bayer, Gabrielle Bell, Charles...

Exclusive preview: MAD Magazine has still got it

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MAD Magazine is often overlooked as one of the longest running and most successful properties that DC Entertainment publishes. Of course, the early Harvey Kurtzman edited run, and seminal work by Will Elder, John Severin, Wally Wood, Al Jaffee and Sergio Aragones is justly lauded among comics history buffs, but with issue #535 coming out next week it's also the longest continually running comics periodical in the US. If it was just puttering along with jokes about these kids today and boring TV shows, perhaps it would be allowed to stay in its pasture, but in truth it's still putting out sharp satire with bold visuals and presenting the work of some of today's finest cartoonists—including Al Jaffee and Sergio Aragones.

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