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The Beat
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There’s Blood On My Comics!
Tilting at Windmills
FANDOM FLAMES: Longing for in-person conventions
SILBER LININGS: Why we love Kaiju
The Marvel Rundown: The KING IN BLACK event reaches its bombastic…
INDIE VIEW: A HOUSE WITHOUT WINDOWS pulls away the curtains of…
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REVIEW: THE NEVERS is a lackluster affair in an AU Victorian England
Therese Lacson
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The Marvel Rundown: The KING IN BLACK event reaches its bombastic conclusion
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REVIEW: PROCTOR VALLEY ROAD #1 explores dark imaginations and ‘real’ monsters
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03/10/2021 1:30 pm
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The Marvel Rundown: The X-kids are alright in CHILDREN OF THE...
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DC ROUND-UP: SUPERMAN #29 is a story about growing up.
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03/09/2021 12:00 pm
3
REVIEW: Black Girl Magic shines in Lupano & Fert’s WHITE ALL...
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03/08/2021 11:00 am
0
REVIEW: PACIFIC RIM: THE BLACK starts off slow but shows great...
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03/06/2021 12:00 pm
0
REVIEW: CHAOS WALKING had the potential to be great
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03/05/2021 7:20 pm
1
REVIEW: Chris & Laura Samnee’s JONNA AND THE UNPOSSIBLE MONSTERS #1...
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03/05/2021 12:30 pm
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REVIEW: WANDAVISION finale finishes with hope and rebirth
Therese Lacson
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03/05/2021 12:00 pm
2
RECAP: FOR ALL MANKIND S2E3 — “Rules of Engagement”
Ruth Johnson
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03/05/2021 11:30 am
0
REVIEW: So, enough about Bad Idea’s bad ideas…how is ENIAC #1?
Zack Quaintance
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03/05/2021 10:30 am
2
REVIEW: A Wave Blue World’s EMBODIED explores gender and identity from...
Deanna Destito
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03/04/2021 2:00 pm
0
The Marvel Rundown: AMERICA CHAVEZ: MADE IN THE USA #1 delivers...
Joe Grunenwald
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03/03/2021 12:00 pm
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