Drawn & Quarterly

Paul At Home

INDIE VIEW: PAUL AT HOME takes readers behind closed doors

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Paul At Home By Michel Rabagliati Drawn and Quarterly Quebecois cartoonist Michel Rabagliati has established a definite tone of the last couple decades that he’s produced his...
okay, universe

INDIE VIEW: A gentle push into politics in OKAY, UNIVERSE

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  Okay, Universe Written by Valérie Plante Illustrated by Delphie Côté-Lacroix Drawn and Quarterly With the subtitle “Chronicles of a Woman in Politics,” Okay, Universe in some ways inspires...
the contradictions

INDIE VIEW: Life is filled with THE CONTRADICTIONS

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The Contradictions By Sophie Yanow Drawn and Quarterly For the past decade or so I’ve noticed a shift where the colloquial word styles of young people had...

INTERVIEW: Pastiche for President! Talking CONSTITUTION ILLUSTRATED with R. Sikoryak

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R. Sikoryak's latest release is an unimpeachable look at America's founding document.
Moomin by Tove Jansson

Study Guide: Tove Jansson’s MOOMIN

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Use this lesson plan to explore Moominvalley from your shelter-in-place classroom.
i know you rider

INDIE VIEW: I KNOW YOU RIDER explores reproducing and not

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I Know You Rider By Leslie Stein Drawn and Quarterly One of the aspects of Leslie Stein’s work that sets her apart from other autobiographical cartoonists is...

INDIE VIEW: ‘Familiar Face’ is a warped kaleidoscopic mirror to our own reality

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Familiar Face By Michael DeForge Drawn and Quarterly “The only constant is change.” Heraclitus of Ephesus said that. I looked it up. Actually, I’m not quite clear that...

INDIE VIEW: ‘Becoming Horses’ is a wander through the creative ether

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Becoming Horses By Disa Wallander Drawn and Quarterly Creativity is different for everyone, and what commonalities there are get mixed in with points of departure so that...

INDIE VIEW: ‘Year of the Rabbit’ offers hope amidst the terror of the Khmer...

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Year of the Rabbit By Tian Veasna Drawn and Quarterly The brutality of the Khmer Rouge and its assault on Cambodia isn’t something that comes up a...
the hard tomorrow

INTERVIEW: Eleanor Davis offers a message of hope with The Hard Tomorrow

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The 'Why Art?' creator discusses her new -- and emotionally complex -- graphic novel from Drawn and Quarterly.
Palimpsest

INDIE VIEW: ‘Palimpsest: Documents From a Korean Adoption’ turns a personal story into passionate...

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Palimpsest: Documents From a Korean Adoption By Lisa Wool-Rim Sjöblom Drawn and Quarterly As the 21st Century progresses, multiple givens of life continue to be turned on...

INTERVIEW: Kevin Huizenga revisits Glenn Ganges with The River at Night

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And after six years of waiting, it is very well worth it!

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