Drawn & Quarterly

the hard tomorrow

INDIE VIEW: ‘The Hard Tomorrow’ is a sympathetic but complicated portrait of today

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The Hard Tomorrow By Eleanor Davis Drawn and Quarterly It’s easy to view the times we live in as apocalyptic even if you aren’t a religious believer....

INDIE VIEW: ‘Creation’ gives the full picture of gentrification in Hamilton, Ontario

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Creation By Sylvia Nickerson Drawn & Quarterly As a resident of Hamilton, Ontario, cartoonist Sylvia Nickerson hasn’t allowed herself to become entrenched solely in her own concerns,...
lynda barry genius grant

Lynda Barry named a recipient of the MacArthur Genius Grant

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The graphic novelist and educator is one of 26 recipients.
Palookaville 23

INTERVIEW: Seth on CLYDE FANS, storytelling, memory and whether he actually owns a Clyde...

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Seth looks back on 20 years of making Clyde Fans and what he's doing next.

REVIEW: Keum Suk Gendry-Kim’s GRASS sheds a humbling light on history

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Gendry-Kim sheds a deeply personal light on the affects of war.
King of King Court

INDIE VIEW: ‘King of King Court’ celebrates the power of telling your own story

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This dysfunctional family memoir is a triumph of resilience
Hot Comb

INDIE VIEW: ‘Hot Comb’ tells masterful stories about hair and race

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Hot Comb By Ebony Flowers Drawn and Quarterly In Hot Comb, cartoonist Ebony Flowers ushers me into a world I have no experience with and probably will...
D+Q at SDCC '19

SDCC ’19: D+Q to bring debuts, previews, signings & more all weekend long

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D+Q will be at booth #1629 Thursday-Sunday.

INDIE VIEW: Echoes of lost old worlds in ‘Rust Belt’ and ‘Yellow Yellow’

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John Seven reviews 'Rust Belt' and 'Yellow Yellow'
WOMANSWORKcvr

Review: Julie Delporte continues to convey the intangible and the profound in ‘This Woman’s...

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Julie Delporte's work is raw, and she is still impeccable at laying out an unmappable thought process that feels like a profound journey into the unknown.

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