By Its Cover #13: The Cover Pick That Made Me $100
PLUS: The best cover designs this week!
Review: ‘Idle Days’ gathers the darkness
In Idle Days, writer Thomas Desaulniers Brousseau and artist Simon Leclerc traverse the connection between personal psychological distress and the ghostly sins of the...
ADVANCE REVIEW: Revisiting Pepperland and Diving Beneath the Waves in our YELLOW SUBMARINE
Celebrating fifty years of the animated lever pullers with a new comic book adaptation from Bill Morrison!
By Its Cover #12: What Comic Covers Can Learn From Nintendo
PLUS: The best cover designs this week!
Review: Jim Broadbent’s ‘Dull Margaret’ is dark humanity distilled to its essence
Less a linear story than an intense incantation filtered through a fever dream, Dull Margaret is the work of British actor Jim Broadbent, his debut...
By Its Cover #10: Fantastic Four #1 Released On This Day In 1961…AND Today!
PLUS: The best cover designs this week!
Review: ‘Feast of Fields’ unleashes all the dimensions of emotion and memory at the...
Sean Karemaker created one of my favorite books of 2016, The Ghosts We Know, a dark autobiographical work that achieves a symbolic height as...
Review: Any of us could be ‘The Strange’
I’ve never been able to wrap my head around the anger directed toward undocumented immigrants, and the escalation of that topic hasn’t helped me...
Review: The gorgeous ‘A Sea of Love’ is both epic and intimate
Unfolding in total silence, from a script by Wilfrid Lupano, and with absolutely breathtaking art by Grégory Panaccione, A Sea of Love inserts broad...
Review: Gipi searches for humanity at the end of the world
In Gipi’s post-apocalyptic drama Land of the Sons, there’s a moment when a father laments whether he should reveal to his sons that dogs...
Review: Weegee biography captures the big picture
Let it be said upfront that in this more enlightened time, legendary photograph Weegee is not the kind of person that is given a...
