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Interviews

Kieron Dwyer

Matt Chats: Kieron Dwyer on living in UNPRESIDENTED times

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The writer/artist discusses his new collection of political strips UNPRESIDENTED: CARTOONS OF CHAOS.

INTERVIEW: Matthew Dow Smith on JOHNNY CHAOS and storytelling via Twitter

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The creator has released new comics free via social media every Wednesday since the Diamond shutdown began.
Artyom Trakhanov

Matt Chats: Artyom Trakhanov on drawing comics from Russia and making his zines free...

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Artyom shares what compelled him to share all of his zines and other personal projects available to everyone.
Christopher Cantwell Dark Horse

INTERVIEW: Christopher Cantwell talks horror in his Dark Horse comics – and everyday life

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"Everyone in America has become a f*cking zombie."

SERGIO ARAGONÉS and PETER KUPER make musical mirth in MAD #13

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The Beat chats with a pair of legendary cartoonists about their contributions to MAD’s music issue.
Green Hornet

INTERVIEW: Anthony Marques and Taylor Esposito chat about bringing GREEN HORNET back to life

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Dynamite is celebrating a decade of publishing the Golden Age character with a brand new series and art team
Antonio Fuso artist

Matt Chats: Antonio Fuso on drawing WYRD and keys to good writer/artist collaboration

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Antonio discusses his work on Dark Horse's "John Constantine meets James Bond" comic WYRD.
daniel warren johnson wonder woman dead earth

INTERVIEW: Daniel Warren Johnson on WONDER WOMAN: DEAD EARTH and the manga influence on...

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Daniel Warren Johnson talks about themes and process in WONDER WOMAN: DEAD EARTH.
ANTI/HERO

INTERVIEW: The adorably messy superheroes of ANTI/HERO crush Freaky Friday

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Stronger, faster, smarter…super! The creators dish on DC's new dynamic duo and the qualities that make superheroes human.

INTERVIEW: Steve Orlando talks about the core assets of Nightwing

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And what would Aquaman's wrestling entrance music be?
Dan Berry cartoonist

Matt Chats: Dan Berry on his transition to full-time cartoonist

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Dan discusses starting a new Patreon, selling comics on Gumroad, and the differences in creating and selling full-length graphic novels versus short stories.

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