Comics

The latest Avengers: Age of Ultron television spot is here, and it's a fairly extended look at the team with some new footage for those of us who just can't wait another month and a half.

So what will all those newly promoted editors at Oni be doing? Reading a lot of email it seems. A new open submissions period has been announced. It's good to see Oni getting back into the game a bit, especially with the diversity that they always supported becoming the industry norm.

Illustrator John Cassaday recently announced his departure from the Star Wars comic book with author Jason Aaron. Issue #6 is his last, as announced...

School's in session. Take the GIANT DAYS test to see if you'll like it. No studying required.

It's new comic book day, the best day of the week! Before I rush off to my LCS, let's round-up the few relevant entertainment headlines that are out and about

The FUBAR comic books might not be familiar to the traditional Wednesday Warrior, but they’re a major player in the growing zombie and anthology...

At the last NYCC, I got shown a few pages of the new Airboy series by James Robinson (Starman, FF) and relative newcomer...

Rob Liefeld is a fascinating and polarizing creator whose next comics work is sure to turn more than a couple heads. The author already...

A controversial variant cover of Batgirl has been pulled following objections—including objections raised by the book's creative team.

Miracleman, a character with one of the most fascinating back stories in comics chronicled in our own Poisoned Chalice pieces is getting an Artifact...

Oni has just announced the promotion of three of its editors in preparation for new creator owned and licensed titles. While all the promotions are well deserved, they might also serve as a preemptive hedge against DC's talent raid on West Coast editorial offices. The short version: Charlie Chu has been promoted to Senior Editor, Robin Herrera to Editor, and Ari Yarwood to Associate Editor. And the books they will be working on include Kaijumax, Invader Zim and Rick and Morty. PLUS they got portraits by John Allison! It is a day of winning.

The Fox, with story & line art by Dean Haspiel, script by Mark Waid, and colors by Allen Passalaqua, opens in media res with our titular hero tied up, lamenting his bad luck, and wishing for an ibuprofin. It’s a Spider-Man-like How did I get into this mess? inner monologue that introduces a delightfully self-deprecating superhero who’s already in over his head.