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Review: Technology as the agent of change, good or bad, in ‘I Feel Machine’

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In some ways aiming to be the Black Mirror of graphic anthologies, I Feel Machine features six cartoonists each exploring the intersection between humanity...

Review: Humane and horrifying, ‘Zenobia’ gets to the heart of human indignity

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This beautifully-wrought and completely devastating Danish graphic novel will probably make you angry. Or at least it should make you angry. Most possibly it’s...

Review: Folk horror meets social satire in ‘Lip Hook’

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Lip Hook takes some of the best conventions of the British folk horror genre and uses them to perfect effect. Outsiders becoming stranded in...

GET A GRIP!: How Experimenting with with Different Stylus Grips Can Keep Your ...

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GET A GRIP! is a column dedicated to exploring all the health issues that keep us from making comics in all its forms. Sure, musculoskeletal...

Review: As ‘Alt-Life’ shows, even limitless virtual pleasure has its downsides

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Human beings have always wanted to believe in a re-set. In more traditional terms this has taken the form of an afterlife, but as...

Review: ‘270°’ and ‘To Build A Fire’ honor different aspects of nature in beautiful...

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Is nature our friend or our enemy, or maybe a little of both? Perhaps it’s not even measurable against the human experience, since we...

GET A GRIP!: Keeping Equilibrium in Your Creative Practice

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GET A GRIP! is a column dedicated to exploring all the health issues that keep us from making comics in all its forms. Sure, musculoskeletal...

Review: The skewed colors of manhood in ‘Tumult’

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The noir genre has one dynamic at its center that repeats so often it’s hard to tell if it’s a cliche or an archetype...

Review: German guilt and the nature of mundane evil in ‘Belonging’

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What is it like to be of the most despised nationality in modern history? I’m not talking about being an American, though it’s not...

NYCC 2018 Event Guide: Signings and meet-ups and art and more!

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Whether it's a signing, an art show, a panel about comics - or just enjoying Happy Hour - we got you covered.

Review: The innocence of childhood is brief in David Small’s ‘Home After Dark’

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David Small is old enough to remember the realities of a free-range childhood as the norm that is often romanticized by people my age....

Review: ‘Garlandia’ is a fully-formed and frantic fantasyland

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On one hand, Garlandia has all the charm and intimacy of the characters from which it pulls obvious influence, the Moomins — the book...

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