INDIE VIEW: The art of crime in ‘Memoirs of a Book Thief’
John Seven reviews 'Memoirs of a Book Thief'
INDIE VIEW: Taking stock of personal inventory manufactures a crippling void in ‘Clyde Fans’
John Seven reviews 'Clyde Fans'
INDIE VIEW: Different realities clash in ‘Alienation’ and ‘Ghost Tree #1’
John Seven reviews 'Alienation' and 'Ghost Tree #1'
INDIE VIEW: Kelsey Wroten’s ‘Crimes’ and the disorienting perplexity of passion
John Seven reviews Kelsey Wroten's 'Crimes'
INDIE VIEW: War stays personal in ‘The Bugle Boy’ and ‘The Secret Voice’
John Seven reviews 'The Bugle Boy' By Alexandre Clérisse and 'The Secret Voice Volume One' By Zack Soto
INDIE VIEW: Guilherme Petreca’s ‘Ye’ uses an ancient path for modern insight
John Seven reviews Guilherme Petreca's 'Ye'
INDIE VIEW: Telling women’s stories in ‘Colored’ and ‘Future Corpse’
John Seven reviews 'Colored: The Unsung Life of Claudette Colvin' and 'Future Corpse'
INDIE VIEW: ‘Cannonball’ explores the creative hell that is yourself
John Seven reviews 'Cannonball'
INDIE VIEW: Box Brown’s ‘Cannabis’ connects the dots between pot, power, and prejudice
John Seven reviews 'Cannabis: The Illegalization of Weed in America' By Box Brown
INDIE VIEW: ‘Chicken Rising’ just feels like the end of the world while ‘The...
John Seven reviews 'Chicken Rising' and 'The Consumptive #4'
INDIE VIEW: ‘Bronze Age Boogie,’ ‘Invisible Kingdom,’ and comics by Miranda Harmon make for...
John Seven reviews 'Bronze Age Boogie #1' 'Invisible Kingdom #1' 'One Weird Trick' and 'Turtles'
