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INDIE VIEW: ‘The Scarfolk Annual’ is not fiction and other government-sanctioned…
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MINT CONDITION: Peter David’s The Incredible Hulk (1987)
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INDIE VIEW: ‘The Scarfolk Annual’ is not fiction and other government-sanctioned praise
John Seven
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12/06/2019 5:00 pm
Indie View
INDIE VIEW: ‘The Master and Margarita’ dismisses the ulitmate power of systems
John Seven
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12/04/2019 4:00 pm
Indie View
INDIE VIEW: ‘Two Dead’ is exciting noir built on depressing social commentary
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12/02/2019 5:00 pm
Indie View
INDIE VIEW: ‘After the Spring: A Story of Tunisian Youth’ focuses on the human story that happens while history unfolds
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INDIE VIEW: ‘Revenger’ is all heart and all blood, too
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INDIE VIEW: ‘La Voz de M.A.Y.O: Tata Rambo’ uncovers a compelling corner of Latinx history
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INDIE VIEW: ‘The House’ presents grieving as a story-building process
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INDIE VIEW: ‘Mimi and the Wolves’ is cuteness with fangs
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INDIE VIEW: ‘Family Tree’ and ‘Folklords’ enliven tropes by subverting them
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INDIE VIEW: ‘The Twilight Man’ traces Rod Serling’s pioneering darkness
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INDIE VIEW: ‘Palimpsest: Documents From a Korean Adoption’ turns a personal...
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INDIE VIEW: ‘Swimming In Darkness’ mixes architecture and mythology to create...
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INDIE VIEW: There’s nowhere to go but down in ‘Plummet’
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INDIE VIEW: ‘Gramercy Park’ shows the heart to be the ultimate...
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INDIE VIEW: ‘Ignited’ finds empowerment in tragedy
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INDIE VIEW: ‘The Blue Road’ brings poetic clarity to the life...
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INDIE VIEW: ‘The Scarfolk Annual’ is not fiction and other government-sanctioned praise
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