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INDIE VIEW: ‘A Letter To Jo’ captures the ordinary horror…
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INDIE VIEW: ‘A Letter To Jo’ captures the ordinary horror of World War II
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01/24/2020 5:00 pm
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INDIE VIEW: ‘In Pieces: Someplace Which I Call Home’ provides Ipswich, Massachusetts with its close-up
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INDIE VIEW: ‘Fights’ chronicles a society embedded with violence and neglect
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INDIE VIEW: ‘The Audra Show’ defies expectations
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INDIE VIEW: ‘The Strange Ones’ maps out a walk down memory lane
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INDIE VIEW: ‘Constantly’ is a visual poem about the struggle you can’t see
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INDIE VIEW: ‘British Ice’ is part historical mystery, part indictment of colonialism
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INDIE VIEW: ‘The Lonesome Era’ features funny animals in real predicaments
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INDIE VIEW: ‘The Master and Margarita’ dismisses the ulitmate power of...
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INDIE VIEW: ‘Two Dead’ is exciting noir built on depressing social...
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INDIE VIEW: ‘Revenger’ is all heart and all blood, too
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INDIE VIEW: ‘La Voz de M.A.Y.O: Tata Rambo’ uncovers a compelling...
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INDIE VIEW: ‘The House’ presents grieving as a story-building process
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INDIE VIEW: ‘The Willows’ is awesome ’70s horror comics by way...
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INDIE VIEW: ‘Mimi and the Wolves’ is cuteness with fangs
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INDIE VIEW: ‘Family Tree’ and ‘Folklords’ enliven tropes by subverting them
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