INDIE VIEW: Guilherme Petreca’s ‘Ye’ uses an ancient path for modern insight

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John Seven reviews Guilherme Petreca's 'Ye'

INDIE VIEW: Telling women’s stories in ‘Colored’ and ‘Future Corpse’

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John Seven reviews 'Colored: The Unsung Life of Claudette Colvin' and 'Future Corpse'

INDIE VIEW: Box Brown’s ‘Cannabis’ connects the dots between pot, power, and prejudice

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John Seven reviews 'Cannabis: The Illegalization of Weed in America' By Box Brown

INDIE VIEW: ‘Chicken Rising’ just feels like the end of the world while ‘The...

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John Seven reviews 'Chicken Rising' and 'The Consumptive #4'

INDIE VIEW: ‘Bronze Age Boogie,’ ‘Invisible Kingdom,’ and comics by Miranda Harmon make for...

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John Seven reviews 'Bronze Age Boogie #1' 'Invisible Kingdom #1' 'One Weird Trick' and 'Turtles'

INDIE VIEW: Canadian Anti-Semitism explodes in ‘Christie Pits’

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John Seven reviews 'Christie Pits'

INDIE VIEW: A slimmed-down ‘Femme Magnifique’ offers 10 bios of magnificent women

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John Seven reviews 'Femme Magnifique: 10 Magnificent Women Who Changed the World'

INDIE VIEW: Old genre tropes rejuvenated in ‘The Blessed Machine’ and ‘When I Arrived...

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The Blessed Machine #1 Written by Jesse Hamm and Mark Rodgers Illustrated by Jesse Hamm Cave Pictures Publishing A kid’s normal nightmare about being engulfed by sinister plants...

INDIE VIEW: ‘Jesusfreak’ is exactly the gospel we’ve needed so badly

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Jesusfreak Written by Joe Casey Illustrated by Benjamin Marra Colored by Brad Simpson Lettered by Rus Wooton Image Comics One of the great misfortunes of American Christianity is that it...

INDIE VIEW: Everything old is new again in ‘Blossoms in Autumn’

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'Blossoms in Autumn' reviewed by John Seven

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