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Indie Comics Month-to-Month Sales March 2015: Cult comics score

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One of the stranger trends this month is the release of several comics based on 80’s and 90’s cult properties. The best of these, Jem and the Holograms (written by Kelley Thompson with art by Sophie Campbell) ranked in the top ten indie comics this month, and number seventy-seven on the total list. For those interested in male-led cult properties, check out Bill and Ted’s Most Triumphant Return from Boom! and Miami Vice from IDW. This month 144 titles hit the top 300 list, which is a bit up from last month’s total of 138. Without the near ludacris sales of Orphan Black #1, sales dropped 12.5%. Overall there were 1,723,032 sales in March compared to 1,969,396 in February. This brings the average number of comics sold to 11,966 which is also down from last month’s average of 14,271. Considering the Loot Crate aided numbers of February, March still seems to be holding its own.

Cartoon update: Lizz Hickey’s Jammers and Matt Furie’s Doble Fried get pilots

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https://www.youtube.com/watch?v=6BGgUqBww50 We've seen the upfronts and the webfronts, and basically the pipeline of entertainment that we'll be complaining about in Twitter over the next 12...

Kirkman combines with Transformers writing team

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Because uniting to fight boredom takes teamwork, Paramount has just made a Devastator out of a bunch of star writers to revamp the Transformers franchise, and Robert Kirkman is among them. The team, led by Akiva Goldsman, includes Kirkman, Art Marcum and Matt Holloway (Iron Man) Zak Penn (Pacific Rim 2 and X-Men: The Last Stand) and Jeff Pinkner (Lost, Fringe) So yes, this is pretty much the superhero franchise dream team. They'll sit around thinking about ways to make the Transformers cool. I got one word: Victorion..

On minding your social media manners and hot takes

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The priceless Deb Aoki has created yet another masterful Storify called Twitter for Comics Creators - Do's & Don'ts and rather than embed here, it just go read it. But here's the nut graph:

Review: Avengers–themed Aged White Cheddar Pirate’s Booty

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I review a puffed rice and corn cheese snack that is Avengers themed.

Kibbles ‘n’ Bits 5/20/15: Surviving Charlie Hebdo cartoonist quits and other news of the...

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§ Luz, the Charlie Hebdo cartoonist who sirvived the January attack, is quitting the magazine in September, he revealed in an interview on Monday....

Media notes: TRIPWIRE is back; Comicon.com is gone; and Hollywood Heroes debuts

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A few things going on out there in nerd media land. § Tripwire Magazine has relaunched their website. Spo far mostly Mad Max, which...

Brad Woods named CMO at Viz

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Former Dreamworks SVP Brad Woods has joined Viz Media as Chief Marketing Officer. Woods also has Mattel and Warner Bros. on his resume. At Viz he'll oversee strategies for expansion into multiple channels. Inaddition to it's well known print manga products. Viz also has streaming, online, film, TV and many other home entertainment branches, so hiring a veteran exec to look at all this stuff is a good move.

Mad Max Fury Road: A citadel in the Uncanny Valley

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After attending an afternoon showing of Mad Max Fury Road, I stood outside the theater in a daze. I was almost literally speechless, and my PTSD continued as I hopped in a cab to go to a dinner engagement. Fury Road's insane, relentless, vivid and non-stop car chase was so senses shattering that it felt weird to actually BE in a car in the real world. I kept expecting the taxi to rear end a war rig or see an Interceptor career towards us at a 45 degree angle or have a Polecat suddenly dip towards our cab, lobbing a grenade. The real world suddenly seemed like a distant echo of the thunderous one that had seared itself on my eyeballs for the last 120 minutes. My visceral reaction was so different from how I felt after any number of recent CGI extravaganzas. I'd forgotten about Age of Ultron by the time I crossed the street. I left Guardians of the Galaxy humming "Ain't no Mountain High Enough" and loving raccoons, but the plot quickly receded into the rearview mirror. Perhaps this is because of my own subconscious processing of real images as opposed to animated ones — the practical effects of Fury Road are so much more memorable and powerful—and expensive.

Simon Cowell’s Syco Entertainment to co-produce The Fifth Beatle

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Okay one more comics-to-movies announcement for the day, and this one is pretty unsurprising—ever since Tony-winning producer Vivek J. Tiwary wrote The Fifth Beatle,...

Humanoids announces three picture deal at Cannes for Bouncer, Legion and Zombies

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Storied French publisher Humanoids—publisher of many classics by Moebus, Jodorowsky and Bilal—has gotten into the graphic novel to movie race with a three picture...

Image Expo returning in July

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Image Expo is coming back, but unlike last year's which functioned as a roll-up to San Diego Comic-Con, this one returns to Image's home...

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