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SILBER BULLETS: Horror is about more than horror

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In the final Silber Bullets of the 2021 Halloween season, Greg challenges readers to engage with horror beyond the genre's surface-level scares.

Comics Crowdfunding Round-Up: PULSAR, DEAL BREAKER, and 3 more projects we love

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This week's round-up includes an eclectic mix of projects, from new takes on superheroes to a graphic adaptation of a classic philosophical work.
Halloween

What’s the Boogeyman: Why I watch HALLOWEEN on Halloween

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Sometimes a knife and a mask is all you need to capture the season.
Josiah Saw

BROOKLYN HORROR FEST ’21: WHAT JOSIAH SAW impresses with a story of family horror...

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Slow burn horror for a cast of characters destined to burn for their sins.

SILBER BULLETS: They Live… for the music of John Carpenter

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In the latest Silber Bullets, Greg extolls the virtues of horror/sci-fi maestro John Carpenter's film scores, as well as his underrated non-cinematic studio albums.
Ego

BROOKLYN HORROR FEST ‘21: EGO turns COVID into an enabler of hauntings

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Sometimes a little isolation is all that’s needed to invite an evil entity or two.
Graveneye

REVIEW: GRAVENEYE weaves a terrifying tale of the houses we build for and of...

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What would your house say if it was narrating your life?

SILBER BULLETS: Garfield creator Jim Davis loves SPAWN (1997)

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For the latest Silber Bullets, Zack Quaintance joins Greg for a viewing of the mildly scary and mostly terrible 1997 SPAWN film.

SILBER BULLETS: Can I offer you some nice horror in this trying time?

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In this special October edition of Silber Linings, Greg explores horror as an unconventional source of comfort

Comics Crowdfunding Round-Up: WRECK-LASS, Headless Shakespeare Press’s 2022 Catalog, and 3 more projects we...

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From horror anthologies to superhero adventure to a punk rock mystery.

SILBER BULLETS: Horror treats for the Beat Fleet

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The Beat's Ricardo Serrano Denis helps Greg recommend horror films to The Beat for a special Halloween edition of Silber Linings
Malignant

Now that we’ve seen it, is MALIGNANT truly a new vision of terror?

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Can the new ever fully escape the old?

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