The ALA’s comics roundtable to the rescue; why I don’t like Crumb and what is GRRM doing now, anyway?
We’ve got a slew of mind-bending preview pages from Salammbô, from legendary Franco-Belgian comic artist Philippe Druillet, due out this November.
Those two yahoos who came to the Pokémon World Championships totally strapped have been denied bail, even though their lawyer says they just had a car full of guns for fun times and never meant any harm. A story in the Boston Globe has many more details of the duo’s threats against other Pokémon players:
The Charlie Hebdo murders, and the subsequent shoot outs and man hunts, have led to an unprecedented discussion over the role of satire, art and cartooning. It is also, of course, a horrific event that will change tactics against terrorism within France and elsewhere. Much has been written, and while it has often seemed the […]
While we were enjoying Comic Arts Brooklyn this year, my partner Marguerite Van Cook and I took a break from the excitement of promoting our new Fantagraphics Book The Late Child and Other Animals to go across the street to a little coffee bar and have a snack. The young counterperson noted the influx of […]
Eisner! Swarte! Hernandez! Lou Reed! Schulz! Kelly! Kubert! Tardi! Gottfredson! Van Sciver! Ryan! Woodring! Barks! Sendak! Bushmiller! Everett! Frazetta! Davis! Medley! The Crumbs! Wilson! Krigstein! Deitch! Millionaire! Bagge! Lots of great stuff from Fantagraphics, and from their distributor, W. W. Norton! Torsten AdairI’ve been writing for The Beat since July of 2010. I’ve been reading […]
As a Spring Friday afternoon unspools, no one is thinking about the internet or comic books, but rather the most primary and wonderful thoughts of all, and this Craig’s list posting about a missed connection at the R. Crumb exhibit at the Society of Illustrators, says it all. Hit the link for the WHOLE story:
Friday night’s opening fro the R. Crumb exhibit at the Society of Illustrators in NYC, was — no surprise — jammed to the rafters with the who’s who of the local scene. The man himself was on the premises but the notoriously shy cartoonist sat with Aline at a back table where only a few came to pay homage.
From various sources, great artists who like to do things their way, and have earned the right to do so. Plus, is it okay for R. Crumb to use the work of other, lesser cartoonists as scrap for his own work?