James Romberger and Jim Woodring in conversation – plus a Comic Arts Brooklyn report.
James Romberger went to the Big Apple Con and solved one of the great mysteries of comics history: who drew Martin Luther King and the Montgomery Story.
Since I was a child, Jack Kirby stood out as THE preeminent American cartoonist and I still and always will count him as one of my favorite artists. He remains the master of inventive technorganic design and deep space multifigure compositions in which all elements display unparalleled weight and thrust. I consider his work to […]
A new edition of Seth Tobocman’s War in the Neighborhood will bring this powerful story of 90s NYC real estate wars back into print.
Under the Sign of Capricorn by Hugo Pratt IDW/Eurocomics, $29.99 _________________________________________________ As the year turns, IDW’s EuroComics imprint debuts with the first of twelve projected volumes of Hugo Pratt’s beloved Corto Maltese. For these elegantly produced trade paperbacks, Pratt’s literate, witty, exceedingly well-researched and beautifully drawn stories are translated by Simone Castaldi of Hofstra University […]
While we were enjoying Comic Arts Brooklyn this year, my partner Marguerite Van Cook and I took a break from the excitement of promoting our new Fantagraphics Book The Late Child and Other Animals to go across the street to a little coffee bar and have a snack. The young counterperson noted the influx of […]
Here for your perusal, I examine a pile of worthy comics and graphic novelish books that I have found in my travels to Brooklyn; from a few book release parties at Bergen Street Comics, The Brooklyn Book Festival and most recently, Desert Island owner Gabe Fowler’s brand spanking new Comic Arts Brooklyn festival. ______________________________________________________________ […]
I find Dash Shaw’s work to be strangely invigorating. I admit I had some reservations when I first saw the daunting heft of his Bottomless Belly Button, with its absurdly extended passage of a man running and profusely sweating, drawn in a style so crunchy that it makes Gary Panter look slick. The idea that all we cartoonists must now draw books that are at least three inches thick and that take several years of deprivation to accomplish thanks to the efforts of obviously dedicated workhorses such as Shaw and Craig Thompson was not a pretty one. But I was eventually to resign myself to this new order.