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By Its Cover #10: Fantastic Four #1 Released On This Day In 1961…AND Today!

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PLUS: The best cover designs this week!

Review: ‘Feast of Fields’ unleashes all the dimensions of emotion and memory at the...

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Sean Karemaker created one of my favorite books of 2016, The Ghosts We Know, a dark autobiographical work that achieves a symbolic height as...

Review: Any of us could be ‘The Strange’

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I’ve never been able to wrap my head around the anger directed toward undocumented immigrants, and the escalation of that topic hasn’t helped me...

Review: The gorgeous ‘A Sea of Love’ is both epic and intimate

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Unfolding in total silence, from a script by Wilfrid Lupano, and with absolutely breathtaking art by Grégory Panaccione, A Sea of Love inserts broad...

Review: Gipi searches for humanity at the end of the world

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  In Gipi’s post-apocalyptic drama Land of the Sons, there’s a moment when a father laments whether he should reveal to his sons that dogs...

Review: Weegee biography captures the big picture

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Let it be said upfront that in this more enlightened time, legendary photograph Weegee is not the kind of person that is given a...

Review: Karl Stevens is actually ‘The Winner’ here

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The pressure to do something a little more than make a transcript of your life seems to build on autobiographical cartoonists as they get...

Matt Chats: Writer Hansel Moreno on Finding Collaborators and His ‘Artists First’ Mentality

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Over the past couple of years, many of my favorite comics have been outside the eye of most visitors to comic shops and bookstores,...

By Its Cover #9: The Best Of The First Month Of DC Variants

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It looks like this will be more than just a single month event.

Review: Manuele Fior’s ‘Blackbird Days’ examines the mechanics of transformation

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Blackbird Days, an anthology of shorter work by Italian graphic novelist Manuele Fior, gathers stories from the past decade, but this is no casual...

Matt Chats: Phil Hester Discusses Writing, Drawing, But Not Writing AND Drawing

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Phil Hester has been one of my favorite artists for a long time, with a style that feels suited for any kind of story,...

Review: Cyril Pedrosa’s stunning vision of ‘Portugal’

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In America, extended families that are defined by alienation seem to be the result of dysfunction more than anything else, but I’ve found that...

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