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by Zachary Clemente When not out fighting fiendish villains, teaming up (adorably) with Wolverine, or being late to class - Kamala Khan AKA Ms. Marvel...

When Scholastic launched its Graphix imprint 10 years ago, graphic novels were a novelty, if you can pardon the expression, in the mainstream publishing world. And kids comics were an unknown quantity—comics shops didn't want them and bookstores didn't know what to do with them. In the first wave, there were many miscues and misunderstandings at many houses along the way. But Graphix wasn't the one making them. Granted, starting out a line with Jeff Smith's Bone is about as much a sure thing as possible—6.9 million copies in print and counting. But picking Raina Telgemeier to do a Babysitter's Club relaunch and eventually Smile, and Kazu Kibuishi to publish his Amulet series weren't as sure—but they sure paid off. Along the way Graphix has picked up multiple Eisner Award wins and nominations, a Stonewall Book Award, a Boston Globe-Horn Book Award Honor, an Edgar Allan Poe nomination, and 14 New York Times bestsellers. They've published many more top cartoonists such as Doug TenNapel, Greg Ruth, Mike Maihack and Jimmy Gownley. And there's more to come.

  When Melissa Benoist was cast as Supergirl last week for the CBS upcoming superhero drama of the same name, I had a feeling the...

Fraction and Moon are back on Casanova for the first time since 2012 - now with 200% more amnesia!

There's a CAF (comic arts festival) born every minute! Here's a new one, the New South Fest in Austin. They have a tumblr and a FB page, and some art...and exhibitor applications are now open. The plan is an outdoor books and comics event to be held June 6th, 2015 at the French Legation Museum in Austin, Texas. "Our goal is to celebrate independent literature, alternative comics, small presses, and print culture. New South will be highly curated, focused, fresh, and irreverent."

UPDATE: Oops should have dug a little more. This event seems to be run by Danithan Mejia of the Foxing Review, website under construction.

The hour glass containing the remaining days of the Marvel Universe as we know it continued to drip grains of information

Warren Ellis is having a crack at reimagining the Project Superpowers universe, and Blackcross #1 hits in March. We've had an advance peek and it's not what might be expected, with a strong horror bent. Here's some brand new pages of Colton Worley's art to give you a taste, as well as variant covers by Jae Lee, Declan Shalvey and Tula Lotay.

Speaking of AdHouse, a second printing of Jim Rugg's classic Street Angel is out today, the story of a homeless girl who fights crime while riding around on her skateboard. It was action packed, sad and beautiful. Originally appearing in 2004, this book was, along with Scott Pilgrim, an early adapter of the "new mainstream" esthetic whereby comics broke out of both superhero and autobiographical tropes to reach a new, younger audience growing out of the manga boom. Originally published by Slave Labor the book had a cult following beforei being released by AdHouse last year. And now its in its second printing. Rachel Edidin has an overview of the book here. The new edition has a pink pages and purple ink, making it perhaps the most perfect Street Angel edition of all. And just because I can here's a preview:

CCS just keeps turning out interesting new cartoonists. Sophie Goldstein is a recent grad whose works defies easy categorization, except to say that she's got a great line and a keen eye, she writes stories and anything can happen. And now AdHouse is bringing out The Oven by Goldstein in April. It's set in a totalitarian future where "dwindling resources have driven the human race into domed cities where population controls are strictly enforced. When a young couple goes looking for an anti-government paradise in the desert they may have found more than they bargained for."

eave it to a project helmed by Jonathan Hickman to be impeccably designed. The first issue of The Dying & The Dead brings together long-time collaborator Ryan Bodenheim as artist, colorist Michael Garland, and lettering duties by Rus Wooton for a whopping 60-page issue; and the sheer amount of information conveyed is akin to a freight train dropping from the sky at terminal velocity. In a good way, I assure you.

“The Blitzkrieg Button,” Agent Carter‘s fourth episode and mid-way point, may have actually been the beginning of the series’ true arc and end game.

Minneapolis based 2D Cloud is an experimental comics publisher that's looking to grow in 2015. They've added Blaise Larmee as Marketing Director and Melissa Carraher as Publicist. Larmee is, of course, a cartoonist of some repute himself. In the past they've put out acclaimed works by Anna Bongiovanni, Mark Connery and Noah van Sciver.