Review: Bloodshot #1 is a balls to the wall, hollow reintroduction
Valiant’s nanite-infused superhero is back with the bloody vengeance.
REVIEW: The Matrix in Dolby shows that 1999 Really Was The Peak of Our...
The original Matrix is back for a one week run in Dolby cinemas - and you should check it out.
REVIEW: Archie Bongiovanni’s GREASE BATS gleefully embraces the nuances of queerness
WHAT A TIME TO BE GAY AND ALIVE!
INDIE VIEW: ‘Sky in Stereo’ clears the disarray of mental illness
Mardou takes unexpected paths in depicting struggle and healing
REVIEW: MALL #1 throws you headfirst into a frightening post-apocalyptic world
Only the mall remains in Vault Comics’ new series, and it’s not the shopping center you remember
The Marvel Rundown: Does MARVEL COMICS #1000 earn its $10 price tag?
Does Marvel Comics #1000 pay proper homage to 80 years worth of stories?
DC ROUND-UP: WONDER WOMAN #77 quotes Chvrches to fabulous results
When love is dead, what do we fight for?
REVIEW: Keum Suk Gendry-Kim’s GRASS sheds a humbling light on history
Gendry-Kim sheds a deeply personal light on the affects of war.
REVIEW: THE NECROMANCER’S MAP #1 begins a new journey in the Songs for the...
Vault Comics’ new series centers on Bethany and Elissar’s next journey to decipher a cryptic map
INDIE VIEW: ‘No Ivy League’ mixes displacement and kindness
Memoir of a homeschooler meeting the outside world asks the big questions.
REVIEW: Every artist’s journey beings with a BLANK CANVAS
Higashimura is not afraid to make fun of herself, and not afraid to show those parts of her story that are less than flattering.
INDIE VIEW: ‘Floppy #1’ and ‘Desolation Bay’ tell different kinds of histories
Two Massachusetts cartoonists put intellectual and poetic heft into their comics.
