Last month, Wired posted an update about John Pound, the co-creator of the Garbage Pail Kids trading cards, and how he uses somewhat archaic software to create random comics!
A little while back, Brian Hibbs wrote a piece involving the place of Kickstarters in the comics world that still seems to be making the rounds online. It comes at it from the retailer angle, and as somebody who’s run a few Kickstarters, I have a few different thoughts about how crowdfunding fits into the […]
Comic-Con is said to be the biggest pop culture event in North America, and if you’re one of the more than 130,000 attendees, you’re likely to purchase and wear some of one-of-a-kind comics, art and action figures from the many vendors at the show. Whether it’s a Optimus Prime collectible or a Boba Fett action figure or even your vintage Star Wars costume, keeping your Comic-Con treasures safe and sound doesn’t have to be difficult or expensive. And tese FedEx coupons just for Beat readers will help!
by Harper W. Harris Certainly one of the busiest artists at HeroesCon 2015 was Tula Lotay, who has burst onto the mainstage of comic artists in the last year, working with Warren Ellis on Supreme: Blue Rose as well as the unique Vertigo title Bodies written by Si Spencer in which each issue shared four […]
[Editor’s note: The release this week of March Book Two by Rep. John Lewis, Andrew Aydin and Nate Powell has already made headlines with its story of the fight for civil rights in the 60s, and the covers to both volumes have become iconic in their own right. The message of the courage to fight for equality for all in the face of violent opposition is as relevant and needed today as it was 50 years ago. But powerful images to cover powerful times don’t always spring up fully formed. Here Powell and Top Shelf designer Chris Ross with an in-depth breakdown of how they created these covers and combined imagery to capture both history and ideals.]
NATE: March was originally a single, massive volume, so the initial front and back covers were intended to house the entire narrative: the front introduced the basic visual theme of opposition, with two elements facing off against each other, though a contingent of riot-ready white supremacist police were prominently featured across the bottom. After some discussion with Chris Ross, Andrew Aydin, and Congressman Lewis, we all agreed that we should shift some of that focus to the folks on the front lines, and away from Jim Crow police forces. Around that time, we decided to release the saga as a trilogy, so Chris and I jumped in to further develop the oppositional themes, but playing with different angles and approaches to the cover’s division.
Wow speaking of comics crafts, coloring is definitely one of the key components of today’s comics golden age, yet one of the least understood, and Nathan Fairbairn presents a fascinating process post on how he colored Pax Americana, which has art by Frank Quitely. Among the insights—because Quitely’s coloring on his highly detailed art is […]
The longest running stand alone school to teach cartoonist is having an open house tomorrow from 1-4. Prospective students will meet faculty and get a tour. Open houses at The Kubert School are a great way to learn about the school and program. Any prospective student and their family is welcome to attend. A tour of the […]