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All-New By Its Cover #3 (March 2015 Covers)

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The column that judges a book by its cover, focusing on the month's best-designed comic covers. For the month's best-illustrated comic covers, see Best...

WonderCon ’15: Recap, Impressions, Big move announcement.

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By Nick Eskey For the three years that WonderCon has been in the Anaheim convention center, I’ve been very fortunate to attend it. I say...

Bookmark: What Were Comics?

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A dream team of comics scholars has been assembled, including Professor Bart Beaty, Unflattening author Nick Sousanis, and asst. professor Benjamin Woo, and using...

24 Hours of International Comics: Pablo Makes an Icon Human (France)

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Dreamy, symbolic, curious, and strange. Pablo by Julie Birmant and Clément Oubrerie is ostensibly the story of Pablo Picasso, a man, a modern artist, and an icon of the 20th century. But it’s a story told from the point of view of Fernande Olivier, also known as Amélie Lang, also known as Madame Paul Percheron, also known as the subject of more than 60 portraits made by Picasso.

24 Hours of International Comics: Meet Boulet, Master of Visualizing Emotion (France)

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By and large, American comics are exercises in external action.  Rare is the superhero who ends up blighted by some existential crisis and is...

Interview: Hope Larson on Adapting A Wrinkle in Time

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Hope Larson is a New York Times bestselling graphic novelist, an Eisner-award winning cartoonist, and the writer & director of Got A Girl’s music video for “Live Too Fast.” Her graphic novel adaptation of Madeleine L’Engle’s classic sci-fi/fantasy tale A Wrinkle in Time is out this week in paperback.

Advance Review- Rebels #1 gives new meaning to “Live Free or Die”

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  Story: Brian Wood Art: Andrea Mutti Colors: Jordie Bellaire Letters: Jared K. Fletcher New Hampshire's state motto, "Live Free or Die," has always captivated me.  It's raw and...

Valiant lands nine-figure deal with Chinese entertainment company for movies and more

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Valiant Entertainment is partnering up with Chinese-based distribution company DMG Entertainment to bring Valiant characters to the big screen, according to a report from The New York Times. The deal is described as a nine-figure investment geared at creating films for global audiences as well as animation, theme parks, and merchandise.

Review: Princeless: The Pirate Princess #1 packs a punch

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This installment in the ongoing Princeless series is everything you could want from a title like Princeless: The Pirate Princess #1. A tough and self-assured lead, whose Father trained her from childhood to be a quiet, efficient warrior of the high-seas as opposed to a princess waiting in a tower for rescue. Yet in the latter situation is exactly where Raven Xingtao, the pirate princess, finds herself in the opening pages of the book.

Space Goat Productions launches its own print line

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There's a fool born every minute, but a comics publisher every other minute. But this one is launching with a pretty sound roll-out. Shon C. Bury's Space Goat Productions is most known as a packaging and talent-management company, but in May they're jumping into the publishing world with Space Goat Publishing. The line will launch with three titles, and has also snagged the license to Evil Dead 2. SG publishing will be making its debut at this weekend's ComicsPRO meet

Review: Getting Hit By Stray Bullets Has Never Felt This Good

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It’s no secret that Stray Bullets is one of the best comics being published today, possibly ever. David Lapham’s latest Sunshine and Roses remedies the missing gratuitous violence of Killers at the cost of diverting from that arc’s engaging plot. However, this is the most brutal and meaty the Stray Bullets series has been in awhile, and that speaks volumes for what you'll find in these pages.

Review: crime makes a strange exit to Eden in Postal #1

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Strange small towns commanded by dogmatic despots have long been a staple of post-apocalyptic fare like The Walking Dead. So when Postal # 1 opens on a church sermon delivered by a preacher waving a gun at a man who is bound at the foot of the altar, it seems a familiar scenario. Perhaps this is what the comic wants us to think, lulling us into a false sense of narrative security to contrast with it's intriguing final pages.

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