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Review: ‘Feast of Fields’ unleashes all the dimensions of emotion and memory at the...

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Sean Karemaker created one of my favorite books of 2016, The Ghosts We Know, a dark autobiographical work that achieves a symbolic height as...

Review: Any of us could be ‘The Strange’

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I’ve never been able to wrap my head around the anger directed toward undocumented immigrants, and the escalation of that topic hasn’t helped me...

Review: The gorgeous ‘A Sea of Love’ is both epic and intimate

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Unfolding in total silence, from a script by Wilfrid Lupano, and with absolutely breathtaking art by Grégory Panaccione, A Sea of Love inserts broad...

Koyama Press to shut down in 2021

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When folks speculate about which comics publisher will be the next to shut down, Koyama Press isn't among them because they are, simply, the...

Review: Aaron Costain’s ‘Entropy’ suggests there might be too much to think about

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Aaron Costain’s Entropy is the type of book that begs you to never give up on it. It’s built into the story itself, which...

Review: Gipi searches for humanity at the end of the world

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  In Gipi’s post-apocalyptic drama Land of the Sons, there’s a moment when a father laments whether he should reveal to his sons that dogs...

Review: Weegee biography captures the big picture

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Let it be said upfront that in this more enlightened time, legendary photograph Weegee is not the kind of person that is given a...

Review: Karl Stevens is actually ‘The Winner’ here

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The pressure to do something a little more than make a transcript of your life seems to build on autobiographical cartoonists as they get...

Review: Nick Drnaso’s ‘Sabrina’ won’t stop haunting me

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The concept of fake news existed long before Trump, and conspiracy theorists have also, but one difference between now and even a decade ago...

Review: Manuele Fior’s ‘Blackbird Days’ examines the mechanics of transformation

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Blackbird Days, an anthology of shorter work by Italian graphic novelist Manuele Fior, gathers stories from the past decade, but this is no casual...

Review: Cyril Pedrosa’s stunning vision of ‘Portugal’

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In America, extended families that are defined by alienation seem to be the result of dysfunction more than anything else, but I’ve found that...

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