Buenaventura and his greatest creation, Kramers Ergot #7.

Over the weekend news of Alvin Buenaventura’s passing was confirmed. Buenaventura was 40 and as the publisher of first Buenaventura Press then Pigeon Press was one of the indie publishers who helped change the landscape of comics forever with his passion and devotion to detail, with such Cartoonists as Vanessa Davis, Lisa Hanawalt, Matt Furie and many more on his roster. Buenaventura Press’s books were always at the top of the production chart, but with 2008’s Kramer’s Ergot #7, a table-top sized anthology of the greatest cartoonists of the day to that point, he achieved a high point in comics history for ambition and summing up a generation of art and artist’s. It’s the defining statement of indie comics of the Aughts, and i doubt it will ever be surpassed.

If anyone could even try it. The expense of printing the book (which cost $125) and ensuing legal troubles caused him to shut down Buenaventura Press in 2010. He came back with Pigeon Press, however, and continued publishing fine comics from Nick Mandaag, Simon Hanselman, Charles Burns and more.


Like everyone, I knew Alvin, and spoke to him at every small press show he was at. Above is a picture of him and Jerry Moriarty, whom he published at Buenaventura Press in 2009. He was a kind, unfailingly gentle man, who always went out of his way to be helpful and courteous. I’ve sampled some of the outpouring of grief on social media below, and on his Facebook page.

Tim Hensley, whose book, Sir Alfred, Alvin was readying near the time of his death, posts about him on Blog Flume, a group blog that Alvin once posted to. Hensley confirms the cause of death one might expect for someone so young, making a sad event even sadder.


Dustin Harbin posted a comic and remembrance here:

Alvin was kind to me in all our run-ins over the years, in his sleepy, sad way. We never worked together but I always admired his incredible attention to detail in publishing, not to mention his deep deep knowledge of comics and cartoonists. Every artistic community needs an Alvin, someone learned and knowledgeable who wants to stack new, bright things on the revered dusty old things they love. All while prioritizing quality and voice over profitability, often to the detriment of his businesses. This is an easy world to eat yourself up in. I miss Alvin and wish I had known him better.


And a selection of other tributes:

Finally, while i was looking through old Beat costs for pictures of Alvin, I found a link to his Flickr gallery of his 2009 trip to Angoulême hanging out with R. Crumb, Chris Ware, Daniel Clowes and Adrian Tomine, back in what I would assume were happier times for him. It’s a good memory to hold on to.

Sauve, France