John Seven reviews “Yasmina and The Potato Eaters Part 1” By Wauter Mannaert
Interview: What the bleep does Charles Glaubitz know? He’ll tell you everything in ‘Starseeds.’
John Seven talks to ‘Starseeds’ creator Charles Glaubitz.
Review: The dark fantasy ‘Watersnakes’ is another unique triumph for Tony Sandoval
Tony Sandoval’s ‘Watersnakes’ is a dark and original delight
Review: Blow your mind with ‘Starseeds 2’
In an era when conspiracy abounds, especially on the right with Pizzagate, crisis actors, chemtrails, and, of course, lizard people but also anti-vaxxers, and when so-called woo takes front and center in popular explorations of science — see Deepak Chopra being taken seriously, alien theories about Oumuamua, and speculation that we live in a hologram, […]
INDIE VIEW: Frantz, Czap, and Gébé find meaning in different landscapes
Reviewed: Maria Frantz’s The Chancellor and the Citadel, Kevin Czap’s Four Years, and Gébé’s Letters To Survivors.
EXCLUSIVE PREVIEW: Charles Glaubitz’s celestial strangeness returns in ‘Starseeds 2’
In the first volume of his cosmic epic, Charles Glaubitz laid out an onslaught of universe-shattering conspiracy weirdness that helped readers transcend the state of mind they accept as living in reality and accept what lies beyond. Starseeds 2 expands on that and promises to stretch eager minds further than they’ve ever gone through […]
INDIE VIEW: Three tales of the macabre with a higher purpose than chills
The Daughters of Salem, The Freak, and Misty Vol. 3 reviewed
Review: Julie Delporte continues to convey the intangible and the profound in ‘This Woman’s Work’
Julie Delporte’s work is raw, and she is still impeccable at laying out an unmappable thought process that feels like a profound journey into the unknown.
Review: The unspoken and unseen take center stage in ‘Kingdom’
Jon McNaught’s Kingdom captures the passive-aggressive clash between humankind and nature, and why it’s probably okay that they clash.
Review: Crisis on infinite comics pages in Olivier Schrauwen’s ‘Parallel Lives’
In Parallel Lives, Belgian cartoonist Olivier Schrauwen presents multiple versions of himself across the space-time continuum and well into dimensions that are untraceable in any normal sense, and he does so in a delivery that is decidedly singular. There’s no one else making comics like Schrauwen, and any given story is like an absurd deep […]
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