[Editor’s note — Spencer wrote in with this VERY detailed how-to for Kickstarter, in and of itself of much interest we’re sure and we’re happy to run it. We’ll have our own comments after part 2.]
Sitting in on the Kickstarter panel at the New York Comic Con, I found myself sharing many of the questions that were posed to the Benign Kingdom Creators, a Kickstarter team that raised well over $100,000 with their campaign: How can I create such a successful campaign? How do I build an audience that large?
I began by analyzing the most successful comic book Kickstarter projects without realizing that I was looking in the wrong direction. If you’re looking to create a $100,000+ Kickstarter campaign, here’s what you need:1) Work in the comic book industry for 10+ years
2) Establish a digital following of at least 5,000 loyal fans. This can be through twitter, Facebook, or any other social network channel where you may actively communicate with people that may give you money.
3) Be published by a recognized comic book publisher (Marvel, DC, Image, Vertigo, Dark Horse, etc.). It helps if you are an active and popular creator for one of these publishing houses.
4) Win prestigious awards for your previous work or be a part of a prestigious anthology.
Accomplish all four pre-requisites and you are sure to be a hit on Kickstarter. This is not where you should be looking for inspiration. My friend and social media brainiac Mike Prasad pointed out that the key to being successful on Kickstarter has been sitting in front of me the entire time: The front page. It determines your visibility to potential backers, but how do you get on the front page? Kickstarter gives you some rather obvious clues:
1) Staff Pick
I honestly have no idea how they determine this. I imagine that the Kickstarter staff sharpies the name of all new projects on to the shells of turtles and determine the staff pick via turtle race, but I’m probably way off-base here. Staff picks seem to be projects that are generally well put together or have an intrinsic heart about them that sets them apart from all of the vampire-fighting-zombies-in-a-world-ruled-by-werewolves type of book (though those get picked as well). The selection of the Staff Pick comics leads me to believe that Kickstarter is looking for quality books that they know the creators are capable of completing. With this in mind, make sure that you do everything you can to have a quality product that you and all of your backers can be proud of.
This is a section where I felt I had more control. My twitter following at the beginning of this campaign was around 80 in total. I had about 500 Facebook friends. The Facebook Page I set up for Home of the Brave was about 70 people strong. These weren’t huge numbers, but I thought about what “Popular” actually means in the Kickstarter landscape. Is “popular” measured by volume of pledges or the total dollar amount? Let’s assume that it could be both.
Kicktraq gives some interesting analytics on projects, and has a comics section that’s easily accessible. From my findings, popular projects were getting anywhere between 10 and 40 pledges in a day (though the Nerdist Thrilling Adventure Hour Graphic Novel got 300 pledges in a day and $20k+, but this is an outlier). I made a calculated estimate that if I could get 20 or so pledges all at once, I had a good chance at making the Popular section in Comics, if not locally (which is another section on the front page). The idea being that I just wanted to be visible, and if I could corral my friends and family to support me heavily on the first day, my project would gain visibility to the Kickstarter audience.
Getting on the popular section within the first 24 hours is crucial to a campaign, in that it can immediately launch you to the first page, and make you visible to a large section of the Kickstarter audience. The more amount of time you spend on the front page, the longer you remain visible to the audience.
I created a plan for the first day launch, by time zones, and asked friends and family to be prepared to post my Kickstarter project on Facebook and twitter. Strategically, I knew we should launch on a weekday, when everyone is in front of their computers, receiving email and hopefully checking their Facebook and twitter feeds. I requested that my immediate circle of friends and family post in order of time zones, beginning with the East Coast and moving westward with the sun. The Kickstarter office is based in New York, so I was hoping that with enough early buzz, we’d have a shot at receiving a Staff Pick as well.
Our General Kickstarter Profile
Project Goal: $12,000
-This may have been a little ambitious, as the average project on Kickstarter raises about $5,000.
Home Base: Honolulu, HI
Title: Home of the Brave: Struggle & triumph in a broken America
Short Blurb: What if the smartest person on Earth was born into poverty & slavery? Meet Aria Monfort, from the world’s poorest nation: America -The short blurb is very important, because this is your pitch. Without an enticing blurb, you won’t be able to attract an organic Kickstarter audience.
Launch Date: Wednesday, October 3rd. -Again, a weekday launch was very important to us, as this is when people are in front of their computers.
End Date: Saturday, November 10th.
-Yes, we went longer than the recommended 30 days (and I would recommend that most people go for 30 days), but we wanted to take advantage of a few time-sensitive opportunities: New York Comic Con, my birthday (November 1st), and the presidential election.
A lot of emphasis is put on the goals for Kickstarter, and you should definitely take a look at the Kickstarter.com/start section to give you a few ideas. The average amount raised for a project is $5,000 and the most common amount pledged is $25.
I recognized that $25 is the sweet spot, and I should center my campaign around this general price point. A lot of this is similar to the way supermarkets create a pricing strategy. One bag of potato chips may cost $3, but two is $5! What a bargain! Keep this mentality in mind when creating pricing for your comic book. Make sure that the $25 mark is something that everyone would want, and not something intangible like “a thank you in our book.”
If the $25 pledge is the sweet spot, then we want people to be able to easily escalate their pledges in ways that are enticing. For $10 more, we add signatures, and for $45 we include two autographed copies.
In regards to the timing of our campaign, and there are a number of different strategies that one could use, we wanted to work our campaign around a comic con. We chose the New York Comic Con because it’s one of the largest comic cons in the nation after San Diego, but we also anticipated more Kickstarter comic book creators because that’s where Kickstarter’s offices are located. We also wanted to leverage my birthday (early November) as a fundraising opportunity. This made our campaign about 10 days longer than the recommended 30 days, and in retrospect 30 days may have been better, unless one is anticipating a huge splash in non-web media which often takes longer.
Two months before we launched, we started to tweet about our project in an attempt to build a following with people that had adjacent interests. At first we used the hashtags: #comicbook #graphicnovel #kickstarter #nycc
The #kickstarter hashtag is important in that other members of the kickstarter community were already using it, and were possibly looking for other members of the Kickstarter community to follow. We were trying to build our audience as much as possible without having to launch a project to be a part of the Kickstarter community network.
Prepare 140 character request that I could copy and paste to friends on fb and twitter: “Think you could do me a favor and post about my #kickstarter project? http://bit.ly/ bebraveks” or “What if the smartest person on Earth was born into slavery? Meet Aria, from the world’s poorest nation: America bit.ly/bebraveks”
Key to all of this was to make the evangelism easy for our friends. They all had the same canned text to copy and paste, and I wasn’t asking people to pledge, I was asking people to repost the link. Reposting is significantly easier for people to do, and chances are they would pledge anyway.
We also printed about 1,000 copies of the first 30 pages of our book to have as a giveaway for NYCC, local comic book shops, and NYC comic book shops. This was done to gauge the time and production steps for creating a book for the first time, as well as something to help build our audience. Aside from printing, we also released the first 30 pages as a PDF and as an iBook on the iTunes store using iBooks Author (it’s a lot easier than you think).
—to be continued
[In Part 2, the first 24 hours, and will they make it?]
Heidi MacDonald is the founder and editor in chief of The Beat. In the past, she worked for Disney, DC Comics, Fox and Publishers Weekly. She can be heard regularly on the More To Come Podcast. She likes coffee, cats and noble struggle.