SDCC ‘22 – Severance: a discussion in creepiness, “groins,” and “goats”

Beat Staff - 07/22/2022 6:45 pm 0

SDCC ’22: Heavy Metal Entertainment announces its METALVERSE slate of film...

Dean Simons - 07/22/2022 6:37 pm 0

SDCC ‘22: Jim Lee & Friends share BATMAN/SPAWN, Paul Dano’s RIDDLER:...

Beat Staff - 07/22/2022 5:45 pm 0

SDCC ’22: The Toms — Tom King and Tom Taylor –...

Nancy Powell - 07/22/2022 5:00 pm 0

SDCC ’22: Marvel Studios previews I AM GROOT, WHAT IF…? Season...

Beat Staff - 07/22/2022 4:50 pm 0

SDCC ’22: PUNCHLINE, John Ridley’s GCPD, and more from the Gotham...

Joe Grunenwald - 07/22/2022 4:30 pm 0

SDCC ‘22: Innie, Outtie, Dance All Aboutie at the Severance Activation

Beat Staff - 07/22/2022 4:30 pm 1

SDCC ’22: Tradd Moore’s DOCTOR STRANGE, DARK WEB, and more Marvel...

Joe Grunenwald - 07/22/2022 3:45 pm 0

SDCC ‘22: The Gray Man Program Wants You! But Maybe Not...

Beat Staff - 07/22/2022 3:15 pm 0

SDCC ‘22: Dynamite debuts DARKWING DUCK

Deanna Destito - 07/22/2022 2:30 pm 1

SDCC ‘22: Dynamite announces new Disney GARGOYLES comics

Deanna Destito - 07/22/2022 2:00 pm 1

SDCC’22: Attack of the Show infiltrates Comic-Con!

Beat Staff - 07/22/2022 1:30 pm 0

1...585960...105 Page 59 of 105

LATEST POSTS

ICON Festival of Comics and Narrative Art featured

ICON Festival of Comics & Narrative Art to launch in LA

Christopher Chiu-Tabet - 09/11/2026 12:00 pm

Exclusive: Oni Press honors Mike Wieringo at Baltimore Comic-Con 2026

09/11/2026 10:30 am

NYCC ’26: The coming of Panelpocalypse

09/11/2026 9:30 am

The Beat Digest 09/11/26: JOHNNY CASH returns

09/11/2026 9:00 am

SDCC

SDCC ’26: Going behind the mask with BATMAN: KNIGHTFALL creative team

SDCC ’26: Autism in Comic Books panel highlights positive representation in ABSOLUTE MARTIAN MANHUNTER

Interview: Jason A. Hurley finds THE BEAUTY

Interview: JIM MCCANN explores THE OTHER HALF

Interview: JAMIE S. RICH reflects on Ignition Press, SDCC, and THE DOGSITTER

SDCC ’26: X-MEN ’97 Season 2 voice actors celebrate X-ceptional fandom

Interview: DAVE WIELGOSZ’S SHOWDOWN has begun