REVIEW: Catra fully embraces villainy in SHE-RA AND THE PRINCESSES OF POWER Season 3
The series returns Friday, August 2 on Netflix.
INDIE VIEW: Baltic publisher kuš! still pushes the boundaries of comics
The Latvian comics publisher kuš! has been incredibly successful at getting its message out there since its creation in 2007. It doesn’t just focus...
MARVEL ULTIMATE ALLIANCE 3 is quantity over quality, but that’s not a bad thing:...
The Switch exclusive doesn't try to be anything but what it is, for better and/or worse.
REVIEW: Friendship and cultural exchange in SATOKO AND NADA
Essentially, Satoko and Nada is truly wholesome.
INDIE VIEW: Making new lives in ‘Walking Uphill’ and ‘Rose’
Rose: A Double Life
Written by Denis Lapière and Émilie Alibert
Illustrated by Valérie Vernay
Translated by Lara Vergnaud
Europe Comics
The first of a trilogy of...
REVIEW: RESONANT #1 creates a terrifying world made from humanity’s worst
Vault Comics’ new series establishes a world based on the Call of the Void
Review: ONCE UPON A TIME…IN HOLLYWOOD is Tarantino at his most experimental and personal
Quentin Tarantino's ninth film finds him full of a number of new tricks up his sleeve
INDIE VIEW: ‘How I Tried To Be A Good Person’ and the dangers of...
How I Tried to Be a Good Person
By Ulli Lust
Fantagraphics Books
Some things just seem like bad ideas, like they are inevitably going to head...
The Marvel Rundown: Hickman is here in HOUSE OF X #1, and VALKYRIE: JANE...
Reviews of new Marvel Comics including House of X #1, The History of the Marvel Universe #1 and Valkyrie: Jane Foster #1!
Review: WE ARE HERE FOREVER explores Earth post-humanity, & it’s perfection
We Are Here Forever hits shelves July 30.
INDIE VIEW: ‘Wage Slaves’ and ‘The Pineapples of Wrath’ are both about finding justice,...
The Pineapples of Wrath
By Cathon
Pow Pow Press
Taking place in the imaginary Hawaiian Quarter of Trois-Rivieres, Quebec, cartoonist Cathon wraps two apparent enthusiasms — Tiki...
SDCC ‘19: Review: Batman’s still caped crusading in BATMAN: HUSH, but unfaithful adaptation underwhelms
Jennifer Morrison's Selina Kyle steals the show.
