The Marvel Rundown: BLACK WIDOW spins a new web, and GHOST-SPIDER faces an Act...
How do Natasha and Gwen fare this week?
DC ROUND-UP: Lots of Questions in Lois Lane #3 (and that’s a good thing)
Greg Rucka takes on the world of investigative journalism
REVIEW: JEREMIAH explores identity and sexuality in small town America
Cathy G. Johnson’s gorgeous watercolors set the mood for this tragic coming-of-age story.
INDIE VIEW: ‘Simon & Louise’ and the inevitable farce of teenage romance
Max de Radiguès traces the roots of romantic confusion to their beginnings
INDIE VIEW: ‘Expelling My Truth’ and ‘Stay’ demonstrate how to cope
Two different takes on how to cope.
Review: Bloodshot #1 is a balls to the wall, hollow reintroduction
Valiant’s nanite-infused superhero is back with the bloody vengeance.
REVIEW: The Matrix in Dolby shows that 1999 Really Was The Peak of Our...
The original Matrix is back for a one week run in Dolby cinemas - and you should check it out.
REVIEW: Archie Bongiovanni’s GREASE BATS gleefully embraces the nuances of queerness
WHAT A TIME TO BE GAY AND ALIVE!
INDIE VIEW: ‘Sky in Stereo’ clears the disarray of mental illness
Mardou takes unexpected paths in depicting struggle and healing
REVIEW: MALL #1 throws you headfirst into a frightening post-apocalyptic world
Only the mall remains in Vault Comics’ new series, and it’s not the shopping center you remember
The Marvel Rundown: Does MARVEL COMICS #1000 earn its $10 price tag?
Does Marvel Comics #1000 pay proper homage to 80 years worth of stories?
DC ROUND-UP: WONDER WOMAN #77 quotes Chvrches to fabulous results
When love is dead, what do we fight for?
