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A spooky ghost all alone on Halloween

TRICK OR BEAT: Growing up without Halloween showed me how to celebrate it on...

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In a house where Halloween wasn't allowed, I had to learn how to do Halloween my own way. Here's some of what I do.

Marvel spotlights their next generation of superstar artists with STORMBREAKERS

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The artist-focused program is the newest evolution of Marvel's Young Guns initiative.

TRICK OR BEAT: 13 horror comics you can read now

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It's the perfect time of year to read some spooky comics!

TRICK OR BEAT: 13 reasons SCOOBY-DOO: MYSTERY INCORPORATED is perfect for Halloween 2020

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From intergenerational conflict to Hot Dog Water, this cartoon has it all!
Baron Vaughn

INTERVIEW: Baron Vaughn on all things WILD LIFE!

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The Beat had a delightful conversation with the always effervescent comedian, actor, and host Baron Vaughn (The Great Debate), about his role in the new animated...
Wild Life

Interview: Adam Davies, Alex Plapinger & Dylan Dawson talk SYFY’S apocalyptic WILD LIFE!

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The Beat was on hand to chat with Creator & Executive Producer Adam Davies (The Itching), and Executive Producers Alex Plapinger (Two Pink Doors) & Dylan Dawson (Black Death) about...

Memba them? What the comics industry looked like in 2006

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The 2006 ICv2 conference in 2006 shows a much more diverse industry.

You’ll never guess what the comics industry looked like 28 years ago

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A photo takes us back to a time when comics industry issues were very different...or were they?

NCSFest goes virtual this weekend with Jim Davis, Gemma Correll, Dave Gibbons and more

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The online festival will include panels, a Beetle Bailey documentary, and the Reuben Awards

EXCLUSIVE: Archie CEO Nancy Silberkleit on the power of the comics medium

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"Comic books can be a fantastic tool in so many ways - particularly now."

REVIEW: BETTY AND VERONICA: THE LEADING LADIES OF RIVERDALE

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The nonfiction book traces the history of the Riverdale BFFs from MLJ to the CW.

Ten years on, and this is the best I could do?

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Contributor Torsten Adair looks back and highlights some of his favorite pieces from ten years of writing for The Beat.

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