History

Via Midtown Comics, A recent letter from Steve Ditko. A recent letter from Steve Ditko to one of our customers. He asked Steve what he...

Quite a few remembrances of underground pioneer Spain Rodriguez, including this round-up of reactions from his peers at TCJ. Here's Gary Panter's imagined history: SPAIN...

I am very sad to report that an email has been sent by Ron Turner: It is with great sadness that I inform you of...

Via Millarworld -- in case you have been sleeping and missed Grant Morrison's thoughts on Alan Moore. We don't know the credits for this, but it's pretty awesome.

Johanna Draper Carlson finds a SF book from 24 years ago that predicted the kind of soul-stealing succubus that many fear wit a narrative involving a SF convention:

by Laura Sneddon--Over the last few weeks, my good friend Pádraig Ó Méalóid has been writing a series of articles about Alan Moore and Superfolks, which became an edgeways look at the long running friction between Moore and fellow writer, Grant Morrison. While Moore has previously spoken out about his thoughts on Morrison in various interviews, Morrison has generally kept quiet on the issue. There have been occasional barbs of course, and plenty of praise, but very little on the actual facts of the matter.

If you're a digital hoarder like The Beat you may wake up one day and realize you have some bookmark files that go back 10 years or more. And then you may poke around and you may find something like. Bradley's Almanac - comic book links which was last updated more than nine years ago.

You may remember Joe Caramagna dropping numerous hints over the past few weeks that he had a secret project in the works, a comic he would...

So, just to recap where we left off last time: it looks like Alan Moore has based all the big hits of his career on ideas he stole from Robert Mayer’s 1977 novel Superfolks. Various people, including Grant Morrison, Kurt Busiek, Lance Parkin, Joseph Gualtieri, and even Robert Mayer himself, have claimed at one point or another that Moore based a lot of his superhero work on various aspects of the book, specifically Marvelman, Watchmen, Superman: Whatever Happened to the Man of Tomorrow?, and his proposal to DC Comics for the unpublished cross-company ‘event,’ Twilight of the Superheroes. But is any of this true, or might there be another explanation? To answer that, I’m going to go through the individual allegations or suggestions, and deal them one by one, to see how they hold up.

One of the events we missed last week was Steve DIitko's 85th birthday, so a belated birthday greeting, and a link to Michel Fiffe's...

In 1977 Dial Press of New York published Robert Mayer’s first novel, Superfolks. It was, amongst other things, a story of a middle-aged man coming to terms with his life, an enormous collection of 1970s pop-culture references, some now lost to the mists of time, and a satire on certain aspects of the comic superhero, but would probably be largely unheard of these days if it wasn’t for the fact that it is regularly mentioned for its supposed influence on a young Alan Moore and his work, particularly on Watchmen, Marvelman, and his Superman story, Whatever Happened to the Man of Tomorrow? There’s also a suggestion that it had an influence on his proposal to DC Comics for the unpublished cross-company ‘event,’ Twilight of the Superheroes. But who’s saying these things, what are they saying, and is any of it actually true?

If the juicy, fact filled excerpts aren't getting you to run down to the bookstore to pick up a copy of Sean Howe's MARVEL: THE UNTOLD STORY, you must be dead to comics. io9 has a lengthy excerpt that goes right to the heart of the glory days of Lee and Kirby. I cut and pasted five different revelatory paragraphs before to settled on this one, regarding Carl Burgos, the original artist on the Human Torch, and his thoughts back in the 60s of trying to get the rights back.