DC

This one has been out there for a while but hasn't gotten too much attention: A.D.D., an original graphic novel by Douglas Rushkoff and Goran Sudzuka from Vertigo.

What the heck, everyone else does it. A XOMBI collection with all five issues of the John Rozum/Frazer Irving romp and GONE TO AMERIKAY, the Derek McCulloch/Colleen Doran GN about the Irish immigration would top our wish list. Lots o' fill-ins in the New 52 creatives as deadlines take their toll. But it was all in the plan.

Over on the Vertigo blog, we find an announcement that Vertigo's titles are starting to be released simultaneously in both print and digital ("day and date" is an insipid phrase; let's all stop using it).

DC announced yesterday that Ann Nocenti will be taking over the writing chores on Green Arrow, as of issue #7.  JT Krul was previously...

DC sold a lot of comics — so many that they actually sent out a press release about it; even Diane Nelson, previously silent on the relaunch, now thinks it was a great idea. Selling five million comics in 6 weeks is indeed a sizable number; however what augurs the best for the comics industry is that sales across the board were up. Marvel had its best September in a while, as did Image. We're not talking a return to 1993 -- as some retailers thinks -- but more like a return to 2003. Which is still great. It's fairly obvious that customers were waiting for something exciting to happen in order to go back into stores; these disenchanted readers -- Dan DiDio's much loved "lapsed readers" -- have now discovered that comics are still fun. But will they stay that way?

PW reports that Books-a-Million, the OTHER book chain remaining, has also ordered DC's top 100 GNs removed from their shelves in retaliation for DC's signing a digital four-month exclusive with Amazon.

As you may have heard, DC had this relaunch thing going on in September, ending several months of deck-clearing and water-treading in the company's superhero line. The kick-off came in the last week of August, with the release of Geoff Johns and Jim Lee's Justice League #1, which -- to nobody's surprise -- leads the August charts by quite a margin. To gauge what this means in the broader context of the comic-book direct market, though, we'll have to go back a few years.

People looking for a surefire way to print money, comics division, have often suggested a Harry Potter comic book. Since that ain't happening (JK Rowling just isn't interested), Vertigo has just landed the next best thing: a graphic novel adaptation of Stieg Larsson's best-selling Millennium Trilogy, with the comics version of The Girl with the Dragon Tattoo set to appear in 2012. Subsequent volumes will appear in 2013 and 2014.

DC is concentrating on their "New 52". But what of the other stories? As DC replicates a strategy from 25 years ago, when will we see self-contained stories which can be added to a strong backlist? What will be the new "Watchmen"?

Here's a number for you: Out of 65 DC Universe comic books published in July, 32 were by the writer/artist creative teams listed in the solicitations -- less than half of the bunch. Most of the others were either completely drawn by guest artists or had help from one or more of them. And for a couple, even the story credit changed. Not counting the six DC Retroactive books, the video-game adaptations and the New Wave titles, none of which are involved in the day-to-day of the DC Universe, the strike rate is 22 out of 55. So, presuming that's not a coincidence, it looks like the big DC relaunch was about 40% well-planned, at this juncture.

It's the daily DC 52 trailer, this time for LEGION OF SUPERHEROES by Paul Levitz and Francis Portela. Surely you all know the name of the music, right? And you got the hidden in-joke, right?

Here is a Village Voice interview with Marv Wolfman, which is interesting for many reasons. Because Wolfman is always a thoughtful commenter on the comics industry and its may pressures, but also because CRISIS ON INFINITE EARTHS --and NEW TEEN TITANS by the same Wolfman/Perez team -- is to the New 52 generation what Fantastic Four #1 (the 1961 one) was to so many before it. With its sweeping changes, dramatic deaths and multiple universes, it set the stage for many a crisis to come. And, famously, there was talk after CoIE of doing a line-wide issue #1 reboot. The idea lay dormant until now. But Wolfman points out that for an event to be an event it should have actual motivation: