INDIE VIEW: ‘Bronze Age Boogie,’ ‘Invisible Kingdom,’ and comics by Miranda Harmon make for...
John Seven reviews 'Bronze Age Boogie #1' 'Invisible Kingdom #1' 'One Weird Trick' and 'Turtles'
Charles Forsman’s Netflix lightning strikes twice with ‘I Am Not Okay With This’
One of the biggest surprise Netflix hits of 2018 came from comics but not of the superhero variety. The widely-acclaimed series The End of...
Review: In ‘Fluorescent Mud’ and ‘John, Dear’ it’s not all in the characters’ heads
Two new books from Retrofit/Big Planet use the comics form to meditate on the psychological overtaking the physical, both with strong executions in different...
Review: ‘270°’ and ‘To Build A Fire’ honor different aspects of nature in beautiful...
Is nature our friend or our enemy, or maybe a little of both? Perhaps it’s not even measurable against the human experience, since we...
REVIEW: ‘Bastard’ features the world’s sweetest crime spree
In Bastard, Belgian cartoonist Max de Radigues presents one of the oddest crime partners you can imagine — mother and son. Well, not just...
Review: ‘Bald Knobber’ combines simple history with complicated family lives
The title of Robert Sergel’s Bald Knobber isn’t just a silly word juxtaposition but actually refers to a historical group of vigilantes from the late...
Review: ‘Flocks’ is an inspirational autobiography
In my experience, once people get older and their teenage experience settles into a hazy myth in their brains that supplants the actual memories,...
SPX Preview: ‘smallness’ Tells a Big Story About Being Human
Ashanti Fortson weaves a beautiful story of forgiveness and failure with 'smallness'. The one-shot comic will debut at SPX, here's our preview.
INTERVIEW: Jordan Clark on Writing ‘The Black Experience’ and This American Moment
Writer Jordan Clark talks about creating his mini-comic about the Black experience in America with artist Ahmara Smith, what it means to be an ally, and how we can do a better job of meeting the moment.
Review: Karl Stevens is actually ‘The Winner’ here
The pressure to do something a little more than make a transcript of your life seems to build on autobiographical cartoonists as they get...
Review: Making sense of Mauretania in ‘The New World’
Subtitled “Comics from Mauretania,” the stories in Chris Reynolds’ The New World don’t take place in the African country of the same name, but...
Review: Whit Taylor reveals what’s missing
In two recent releases, Whit Taylor uses her strong talent for intimacy in cartooning to present situations — some personal, some fictional — that...
