Literary Comics

Review: Michael DeForge’s ‘Big Kids’ tells us something about ourselves

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Millennials are often portrayed by the older generation - my own, to be clear - as a generation of victims. Like most cross-generational proclamations,...

Review: New York Review of Books’ new comics line is off to an amazing...

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It was a fantastic day for artful, intelligent comics when the New York Review of Books added comics to its publishing line. The focus so far...

Review: Roman Muradov’s ‘The End Of A Fence’ is cryptic, but beautiful

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Immensely talented Russian illustrator Roman Muradov has quickly established himself as one of the most complex cartoonists around, both visually and narratively. In Muradov’s...

Review: ‘The Tipping Point’ unites science fiction themes with human psychology

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Part of the celebration of 40 years of international publisher Humanoids, this anthology gathers some great talent to explore the idea of forks in the...

Review: Tommi Musturi shows that hope isn’t easy

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Finnish cartoonist Tommi Musturi’s The Book Of Hope is as mysterious and elusive as the human being it examines. Set in a family cottage...

Review: Nick Drnaso gives us 2016’s first great work with ‘Beverly’

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Nick Drnaso’s fictional world is a particularly joyless one where even coming together doesn’t much help the human condition. It might even make things...

Review: The Red Drip Of Courage distills Stephen Crane to a cartoon essence

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You can go for years reading comics and come upon plenty of bizarre works, but at least understand where these are coming from. It’s...

Review: Meags Fitzgerald continues her autobiographical innovations with Long Red Hair

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In Meags Fitzgerald’s previous book, Photobooth: A Biography, which documented just about anything you ever wondered about photo booths, she went far beyond her...

Review: Two rich offerings in Nobrow’s 17 x 23 series

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Nobrow Press’ 17 x 23 series highlights accomplished smaller works in a pleasing package that speaks to graphic novel consumers who might not seek...

Review: Baltic anthology š! #23 offers big art in a small package

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The Balkan comics anthology š! from kuš! is one of the more challenging delights of the comics world, grafting the sensibility of a contemporary art gallery onto the comics page. It regularly presents challenging and edgy work, often abstract, but with enough show of personality that you can see these are the works of real humans, and it comes in a striking mini-digest format that evokes Little Big Books, adding to its appeal as an object to display.

Comic Arts Brooklyn Debuts Part 1: punks, witches, cats, 3D Jim Woodring, more

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This weekend it's Comic Arts Brooklyn in Williamsburg and here's a look at the books that will be debuting. Thanks to all the contributing publishers and cartoonists for supplying the info and lightening our wallets. Because there were so many new and exciting books I'm splitting this into two parts. Look for part two tomorrow!

Koyama Press Announces Spring list with Kyle, Koch, Sears, Johnson and the vagina kayak...

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And yet more awesome comics are on the way from Koyama Press, with a particularly fresh line-up of indie comics up and comers. Patrick Kyle is known for his oddball fantasies while Aidan Koch has already gotten attention for her evocative experimental comics. Cathy G. Johnson is a fast rising star with a book coming out from First Second next year and an Ignatz under her belt; while Ben Sears name came up constantly when I asked about emerging male cartoonists. In addition, Koyama Press will put out its first translated comics: What is Obscenity? The Story of a Good For Nothing Artist and her Pussy, the story of Japanese artist Rokudenashiko (“good-for-nothing girl” or “bad girl”) whose work achives being truly transgressive; the Massive duo of Anne Ishii and Graham Kolbeins bring this one to English. PLease note, this comic is not about cats. And here's the complete lineup:

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