Review: ‘5,000 Kilometers Per Second’ untangles relationships with elegance
In 2010 Grand Prize winner at the Angoulême Comics Festival in France and the Lucca Comics Festival in Italy 5,000 Km Per Second, Italian cartoonist Manuele Fior...
Ethan Hawke promoted his graphic novel, INDEH, on The Tonight Show
I wrote about this in my link round up the other day, but I wanted to give it it's own item just as a...
Review: The darker beauty of Cathy G. Johnson’s ‘Gorgeous’
This short, spare, poetic, emotionally brutal piece from Cathy G. Johnson and Koyama Press captures the intersection of three lives, and the unlikely self...
Review: ‘Nod Away’ is human-level science fiction that looks to the big picture
The first in a projected seven-book science fiction series, Joshua W. Cotter’s Nod Away draws you in with the human drama, but keeps the science...
The Top Ten graphic novels of the Fall (with previews): Atwood, Sattouf, Pedrosa, Thompson,...
Twice a year Publishers Weekly previews the next six months of publishing and I assemble the list along with the Top Ten most interesting...
Review: Brecht Evens and the complications of growing up
Unfolding like a children’s book gone horribly wrong, Brecht Evens’ Panther begins with the death of Christine’s cat and the appearance what might be...
Grant Morrison is excited to be writing two more Wonder Woman graphic novels
Wonder Woman Earth One by Grant Morrison and Yanick Paquette has finally been published, after five or six years of behind the scenes delays. Reaction has been mixed, but the positive reviews have been strong, showing that Morrison may just have negotiated The Most Dangerous Job On Earth, namely writing Wonder Woman in a highly problematic atmosphere.
Review: Ludovic Debeurme’s Renee looks right into the abyss
In 2006’s Lucille, French cartoonist Ludovic Debeurme gave a surreal and somber tone to a doomed love story, following the individual wrecked lives of...
Unflattening wins Lynd Ward Prize
Nick Sousanis's Unflattening, a theoritcal treatise on the use of visual storytelling, has won the 2016 Lynd Ward Prize for Graphic Novel of the Year....
Review: Aama is intelligent, mind-bending science fiction with a core of humanity
Taking the idea of awareness and screwing with it from multiple vantage points — self-awareness, awareness of the space around you, familial awareness, scientific...
It’s Time To Rethink How Graphic Novels Are Read
The audience migration from monthly comics to graphic novels (tpbs, if you prefer) has always been a fairly contentious thing. There’s not a lot of point in denying that the book format is continuing to make gains and a lot of new readers prefer it. When Paul Levitz writes about graphic novels being “a clear majority of sales,” it’s probably time for a wider range of people give up the ghost and talk about that format as an end game.
Interview: Tales from the Loop’s Simon Stålenhag—Swedish Sci-Fi Inspiration and Why Alien is a...
Roaming around Austin during SXSW is a perfect way to stumble into discoveries. One such find this year was the Nordic Lighthouse—a showcase of Nordic startup tech, cinema, music, food, and design. Lucky for me Simon Stålenhag, the author of Tales From The Loop, was part of that showcase. I managed to get some time where he talked about inspiration, Swedish countryside, the eighties, why his dad's bedtime story was Alien, and poetry.

















