Review: Karl Stevens is actually ‘The Winner’ here

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The pressure to do something a little more than make a transcript of your life seems to build on autobiographical cartoonists as they get...

Review: Nick Drnaso’s ‘Sabrina’ won’t stop haunting me

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The concept of fake news existed long before Trump, and conspiracy theorists have also, but one difference between now and even a decade ago...

Review: Manuele Fior’s ‘Blackbird Days’ examines the mechanics of transformation

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Blackbird Days, an anthology of shorter work by Italian graphic novelist Manuele Fior, gathers stories from the past decade, but this is no casual...

Review: Cyril Pedrosa’s stunning vision of ‘Portugal’

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In America, extended families that are defined by alienation seem to be the result of dysfunction more than anything else, but I’ve found that...

Review: The Bursting Beauty of Niki de Saint Phalle

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When the biographies of so many celebrated male artists are revealed as chronicles self-destruction where the subjects too often allow themselves to become awash...

Review: ‘It Don’t Come Easy’ not hard to enjoy

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The Angouleme-winning Monsieur Jean series by Philippe Dupuy and Charles Berberian is celebrated here with It Don’t Come Easy, a collection of some of...

Review: Reid Psaltis explores the Human/Animal Divide in ‘Kingdom/Order’

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A silent, surreal meditation on the human condition in context of the natural world, Kingdom/Order takes as its hero an unnamed man in an...

Review: ‘I, Parrot’ advocates finding your own voice

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On the surface, I, Parrot is a madcap farce about taking care of 42 parrots as it snowballs into absurdity on almost a surreal...

Review: ‘It’s Cold In The River At Night’ presents love as an unknown country

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Strangers in an unnamed European rural area, Carl and Rita have moved into a house on stilts in the water, the last of its...

Review: Making sense of Mauretania in ‘The New World’

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Subtitled “Comics from Mauretania,” the stories in Chris Reynolds’ The New World don’t take place in the African country of the same name, but...

Review: Eric Haven’s comics bring madness and sanity together for a hug

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Eric Haven’s new collection of short works, Compulsive Comics, offers good laughs and vigorous surrealism, and you can easily enjoy it for those two...

Review: French surrealist Nicole Claveloux celebrated in new collection

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Compiled of stories from the 1970s, The Green Hand and Other Stories presents for the first time translated into English the work of French...

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