Tag: Top Shelf

[Editor's note: Troy Little has gone on tour to support his new graphic novell adaptation of Fear and Loathing in Las Vegas, as you do. Because you need a gonzo comics tour to compliment the ultimate gonzo road trip...okay maybe not quite as wild as Hunter S. Thompson's famous journey. Anyway, Top Shelf provided us with some photos from the tour stop.]

In case you had forgotten: Two-Night Season Premiere of THE X-FILES: Sunday, Jan. 24, 2016, 10:00-11:00 PM ET/7:00-8:00 PM PT, following the NFC CHAMPIONSHIP GAME; Monday, Jan....

Troy Little is an Eisner-nominated artist who took on the monumental task of adapting the American counterculture classic Fear and Loathing in Las Vegas,...

Harper College, located in northwest Chicagoland, is a community college serving 40,000 students. Since the 2011-2012 school year, Harper College has a selected a title as part...

Maybe the biggest highlight of a fairly eventful San Diego Comic Con was the moment when Congressman John Lewis cosplayed as himself, donning the trench...

The Humble Bundle model of "bundling" digital comics for a pay what you want price (while offering a percentage to charity) has had a...

Hunter S. Thompson's birth of the gonzo memoir fear and Loathing in Las Vegas is getting a comics adaptation from Xeric-winning, Eisner nominated artist...

TOHv2000_Press It's Free Comic Book Day worldwide, and even if you can't get to a shop, here's one free comic you can read right now,...

More editorial moves around comics, as Bethany Bryan has joined Papercutz as Associate Editor. An industry veteran, Bryan comes from a background in children's books, starting her...

WHO will be the Netflix/Spotify of comics? Several companies have been trying to offer all you can eat comcis buffets, but a lack of top content has been holding them back. But Scribd just made a major play announcing a $8.99 a month plan that allows you access to 10,000 comics, including top titles from Marvel, IDW/Top Shelf, Archie, Dynamite and Valiant. Scribd has been around for a while as en embeddable pdf reader, and already offers over a million ebooks and audiobooks on a subscription basis, so this makes a lot of sense.

I guess the View ladies boofed this but the news is out-- and PSYCHE IT WASN'T STAR WARS! Marvel is gathering its heroines for A-Force, an all female Avengers, with the creative team of Marguerite Bennett, G. Willow Wilson and Jorge Molina. A raft of PR went out at 11:30 after the View was supposed to announce this, but they didn't because.... Martha Stewart came on and talked about fringe, and Kim Catrall talked about life after the city of sex or something. YOU CANNOT CONTROL THE LADIES OF THE VIEW, people.

[Editor's note: The release this week of March Book Two by Rep. John Lewis, Andrew Aydin and Nate Powell has already made headlines with its story of the fight for civil rights in the 60s, and the covers to both volumes have become iconic in their own right. The message of the courage to fight for equality for all in the face of violent opposition is as relevant and needed today as it was 50 years ago. But powerful images to cover powerful times don't always spring up fully formed. Here Powell and Top Shelf designer Chris Ross with an in-depth breakdown of how they created these covers and combined imagery to capture both history and ideals.] NATE: March was originally a single, massive volume, so the initial front and back covers were intended to house the entire narrative: the front introduced the basic visual theme of opposition, with two elements facing off against each other, though a contingent of riot-ready white supremacist police were prominently featured across the bottom. After some discussion with Chris Ross, Andrew Aydin, and Congressman Lewis, we all agreed that we should shift some of that focus to the folks on the front lines, and away from Jim Crow police forces. Around that time, we decided to release the saga as a trilogy, so Chris and I jumped in to further develop the oppositional themes, but playing with different angles and approaches to the cover’s division.