Tag: Movies

New day, new Avengers poster. This time Black Widow is face front and the character in the brokeback pose is....the Hulk? Truly, this is the dawning of a new day.

Unlike last year's extremely uncomfortable Oscar® telecast, with its poorly-matched, inexperienced hosts, this year was as comfy as a cup of warm borscht, as Billy Crystal busted out venerable schtik and timing. Other than that, it was all a parade of white dresses, sequins, and very, very predictable wins. But a few moments stood out for Our Kind:

Well, maybe. Our long-wished-for ERB adaptation is already, a few days before opening, the latest Hollywood disaster, with comparisons to ISHTAR and other mega bombs. The Daily Beast has a super-lengthy expose on the Game of Thrones-like studio politics of former head Dick Cook, who greenlighted the film, and current head Rich Ross, who has enemies of his own:

Only days ago we were speculating with an industry pal on what had ever happened to Morgan Spurlock's documentary about the San Diego Comic-Con, which was filmed with some fanfare in 2010, had a splashy tie-in book last summer, premiered at the Toronto Film Festival and then went silent.

Here's the latest AVENGERS photos, showing Chris Hemsworth as Thor and Clark Gregg as Agent Coulson feigning interest in mundane supercomputers. And then Hawkeye, Cap, and Black Widow striding confidently into battle.

With less than a month to the premiere of JOHN CARTER, Disney is releasing all kinds of new goodies, to try to explain why you should see this.

We've never been able to hide our adoration of Jason's time travel tale I KILLED ADOLF HITLER, and we're far from alone in this regard. Fantagraphics has just announced that Studio Eight in association with Up Country Productions has optioned the film rights to the book. Jamie and Alex Brown of Studio Eight have previously produced LAND OF THE BLIND and CAPTURED. They've tapped screenwriter D.C. Walker of Up Country Productions for the script.

AMC, History Channel, Spike—every TV network that ever wanted to do a "Comic Book Idol" TV show—here is the comic book life captured in its most primal and dramatic: people arguing about cover design in front of over stuffed bookcases and furnishing mingled from antiques and plastic storage boxes from Target. Yes, this is the life.

Hollywood never sleeps; that's why they need their daily coffee run.

A sequel to the well-received X-MEN: FIRST CLASS has been greenlit with Matthew Vaughn once again to direct, Deadline reports. Simon Kinberg has written a script and Bryan Singer will produce. Everyone expects Michael Fassbender and James McAvoy to reprise their roles as Magneto and Professor X, but no one has officially been signed yet. And given Fassbender's recent roles, maybe we'll get to see little Magneto, too.

In a world where every comics-to-movie project gets endlessly covered, SAVE THE DATE has pretty much flown under the radar -- but then it's an indie movie created by an indie cartoonist and not based specifically on a comics property. The film, based on ideas from indie cartoonist stalwart Jeffrey Brown, follows two sisters -- one about to get married, the other just broken up with her boyfriend, and how they approach love and commitment. Directed by Mike Mohan ("One Too Many Mornings") from a script by Mohan, Jeffrey Brown and Egan Reich, the movie debuts this weekend at Sundance and has already gotten some buzz behind it. It stars Lizzy Caplan (True Blood, 127 Hours), as the single sister (who happens to be a cartoonist), Alison Brie (Mad Men, Scream 4) as the sister about to get married, Martin Starr (Mad Love, Adventureland) and Geoffrey Arend.

The long batted about Hack/Slash movie, based on the Tim Seeley/Stefano Caselli comic of the same name, now has a new helmer attached: Marcus Nispel, whose previous slashing and hacking efforts include the disappointing Conan movies, PATHFINDER, and outings in The Texas Chainsaw Massacre and Friday the 13th franchises.