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Review: Broken souls, bloody noses, and activism in ‘Flem’

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Brussels-based and Montreal-born cartoonist R. Rosen makes her graphic novel debut with Flem, a tale of psychological distress, self-destruction, and political activism that casts...

REVIEW: ‘Bastard’ features the world’s sweetest crime spree

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In Bastard, Belgian cartoonist Max de Radigues presents one of the oddest crime partners you can imagine — mother and son. Well, not just...

Review: ‘Feast of Fields’ unleashes all the dimensions of emotion and memory at the...

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Sean Karemaker created one of my favorite books of 2016, The Ghosts We Know, a dark autobiographical work that achieves a symbolic height as...

Review: Weegee biography captures the big picture

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Let it be said upfront that in this more enlightened time, legendary photograph Weegee is not the kind of person that is given a...

Review: Zach Worton’s cautionary tale of artistic obsession

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Zach Worton’s The Curse of Charley Butters begins with a mystery, but soon shifts gears to the more immediate story — that of the...

Review: Growing up with ‘The Case of the Missing Men’

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From the Hardy Boys to Scooby Doo to Blue Velvet and onward the trope of teens attempting to solve mysteries is a well-worn one...

The TCAF Interviews – Meags Fitzgerald on Ambidextry, Layout & Translation

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The Toronto Comic Arts Festival is one of the most influential and important comic book event in North America. It's mission is to "promote...

The Collected Neil the Horse is finally coming out next month!

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In this age of reprints for all, there are a bunch of holy grail comics that are returning to print or seeing print for the...

Review: Jillian Fleck’s bottomless pit of emotion

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The most frequent bottomless thing that has popped up in my life is the idea of bottomless pits, which Lake Jehovah immediately made me...

Review: Rabagliati’s ‘Paul’ books remain the most insightful comics about males ever

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Michel Rabagliati's semi-autobiographical Paul character is one of the delights of modern comics, with each volume seamless in mixing sweet charm with a sadness...

Review: Sean Karemaker’s autobio comics are intense and poetic

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It’s not a visibly large book, about average looking at a glance, but Sean Karemaker’s The Ghosts We Know is more dense than most...

Review: Rebecca Roher’s tender family memories are a pleasing meditation on loss

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For many people, the earliest experience of human loss that pierces their emotions and affects their everyday existence is the death of a grandparent,...

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