Glitterbomb is one of the very best comics I’ve read in recent years. It’s a thoughtful dive into the evil just underneath the surface of the City of Angels, with a dirty, ugly atmosphere that perfectly suits the story. That atmosphere would not have been possible without K. Michael Russell. I was excited to interview […]
The schedule of panels and signings features fan-favorite creators and projects.
Helpful tip for crediting art in comics. One is by Jamie McKelvie and the other is by Jamie McKelvie and Matt Wilson. See the difference? pic.twitter.com/5HJJz9zZQl — Matt Wilson (@COLORnMATT) January 20, 2017 This tweet by colorist Matt Wilson was going around last week, and not only does it reinforce the importance of properly crediting […]
By: Nicholas Eskey Often in the comic book industry we focus our admiration on the artist, shortly followed by the writer. But what about those unsung individuals that separate comic books from just fancy drawings? I’m talking about the colorists and the letterers. Yesterday in room 24D of the Convention Center, 5 people in those […]
The other day we told you about a Frank Miller DKIII variant cover that had everyone talking about its (depending on your point of view) minimalist and/or shockingly incompetent art style.
After some twitter discussion, artist James Harvey took it upon himself to show that Miller’s recent work might be suffering from a misplaced coloring esthetic.
And then all hell broke loose.
A new column by Marissa Louise is the best thing I’ve ever read about coloring comics.
A lot of people celebrated Jack Kirby’s birthday on Friday by posting a lot of his art, and it is always pleasant to page through galleries of the King. One thing that I did notice on all this art was how stunning (to me anyway) the original limited coloring looks.
Scholastic’s editions of Jeff Smith’s BONE were what originally put Steve Hamaker on the map, and he’s only improved since his introduction to the comics scene. After coloring over a dozen BONE graphic novels, Hamaker went on to color Jeff Smith’s follow-up RASL, Strangers in Paradise-related projects for Terry Moore and Scott Kurtz’s webcomic Table Titans. Recently he’s been producing his own […]
“Flattiong” is a stage of the coloring process wherein shapes are outlined in flat colors for later embellishment. it’s a tedious stage often parcelled out to “Flatters”—a sort of apprentice position whose practitioners often graduate to full colorist. Now someone known as The Mad Flatter has created a tumblr of these images, which are sort of beautiful […]
If you like comics, you’ve almost certainly seen Matthew Wilson’s work. Colourist for many of the most acclaimed comics of the last few years, his work has been seen on Wonder Woman, Young Avengers, Swamp Thing, Phonogram, Secret Avengers and many more comics. Colouring is getting more attention now than it has ever done before, […]