There’s no more loved or admired person in comics than Annie Koyama, the owner and publisher of Koyama Press. And this year’s Small Press Expo will celebrate Koyama Press’s 10th anniversay with comics, programming and “surprises.” For a decade Koyama has been giving the world great cartoonists, great books and acting in an ethical, open way that is a model for other publishers. I’m sure the celebration will be very real.
Koyama Press guests include Connor Willumsen, Noel Freibert, Eleanor Davis, Sophia Foster-Dimino and more and several books will be making their debut (see below) as well as a couple of programs:
Kick Ass Annie-versary: Koyama Press Turns 10
Annie Koyama has championed the work of emerging cartoonists for 10 years. As a leading publisher of underground comix, her roster features the work of many of today’s top names in the indie comics scene, including Michael DeForge, Aidan Koch, Alex Schubert, Daryl Seitchik, and many more. Join KP alumni, new and old, in a very special panel spotlighting one our favorite curators of small press cartoonists and their work. Moderated by Rob Clough of High-Low.
Koyama & DeForge: Lose, Everybody Wins
For nearly a decade, Annie Koyama (Koyama Press) and Michael DeForge (Sticks Angelica, Folk Hero) have been wowing readers with their strange and darkly humorous, ongoing anthology series, Lose. Join us for a special conversation with a celebrated, master cartoonist and an award winning publisher as we take an insightful look at one of small press publishing’s greatest partnerships. Moderated by Ryan Sands of Youth in Decline.
Koyama’s debuting books reflect the adventurous bt impeccable taste she’s known for:
• Sophia Foster-Dimino’s Sex Fantasy began as a loose, ephemeral zine that was produced in limited editions. These small comics in both size and length are esoteric and immensely personal. Covering a span of four years, the comics collected here build arelationship that is deeper than their elegantly drawn surfaces.
• In GG’s I’m Not Here, a young, second-generation woman wanders through her city and memories encountering the world through a camera’s lens; her independence pulled by the gravity of familial responsibility. She drifts until she encounters what could possibly be her potential self.
• A keen observer of the absurd, Patrick Kyle’s stories in Everywhere Disappeared defamiliarize the machinations of life, work and art with droll dialogue and his angular, humanely geometric drawing and sci-fi settings that recall set design more than satellite images. Kyle’s figures may be foreign, his settings strange, but his stories resonate deeply.