INTERVIEW: Ulises Fariñas on Buño, the Trials and Tribulations of Starting an “Indie Publisher...
"I don’t want to worry about paying for those big names but I’m starting a publisher because I also want the freedom to put forward my ideals forward. After a certain size, your idealism becomes a liability if you’re looking to make money."
Alan Moore’s Secret Q&A Cult Exposed! Part II: You’ll Gasp When You See What...
By Anne M Kletcha
Deep in the grubby sump of one of those so-called 'Social Media' sites, there is a clump of aging comics fanboys called The Really Very Serious Alan Moore Scholars’ Group, known...
Interview: “intelligent ca ca”, Chuck Palahniuk talks about his current storm of creativity
It's been quite a week for master purveyor of words and professional mind f**k*r Chuck Palahniuk. The off the wall comic book sequel Fight Club 2 has a collected edition in stores now. He's in the final hours of...
MATT CHATS: Tony Fleecs Talks Ponies and Palling Around with Josh Fialkov on ‘Jeff...
Tony Fleecs had been grinding as an indy cartoonist for years, but it was his work for the My Little Pony license at IDW that got him the most attention. Now, he’s returning to...
INTERVIEW: Skottie Young On the “Street Fighter Blood Sports” of I HATE FAIRYLAND’s New...
Skottie Young discusses the irreverant and hilarious I HATE FAIRYLAND.
Interview: Russell and Wheeler talk about the yada yada of the bible in Apocrypha...
For those who can objectively look at the beliefs of others and even your own, Apocrypha Now from Top Shelf Productions would be the deleted scenes in the Blu-Ray release of the King James...
Alan Moore’s Secret Q&A Cult Exposed! Part I: You Won’t Believe What They Asked...
Somewhere deep in the bowels of the Internet, unbeknownst to all but the initiated, there’s an organisation that calls itself the Really Very Serious Alan Moore Scholars’ Group. Occasionally they get to actually communicate...
Drew Ford on Sam Glanzman’s RED RANGE and the New Comics Imprint IT’S ALIVE!
by Alex Dueben
Sam Glanzman has long been an artist’s artist. Joe Kubert called Glanzman “one of the most talented men I know”. He’s long been perhaps best known for his war comics, mostly famously,...
Interview: Greg Rucka and Michael Lark on Lazarus and What Makes Them Click
Rucka and Lark have been one of my favorite pairings ever since the Half a Life arc in Gotham Central, and their work has only gotten stronger and more cohesive since that was first...
INTERVIEW: Brian K. Vaughan and Steve Skroce Reflect On Their Wartime Epic, WE STAND...
By Chris Hayden
In 2015, hit writer Brian K. Vaughan (Saga, Y: The Last Man) and acclaimed artist Steve Skroce (The Amazing Spider-Man, Cable) released the six issue miniseries We Stand on Guard through Image...
INTERVIEW: Joe Casey talks Sex, his indie Officer Downe film and why comics are...
On whether there's still "magic" in comics:
CASEY: Oh, hell yes. There's still plenty of magic... just on different levels than there used to be. I still get a huge buzz when I can come...
Interview: Belgian Cartoonist Brecht Evens Invokes Fear In a Handful of Colors with PANTHER
Over the past few years, cartoonist Brecht Evens has become one of the great Belgian imports thanks to books like The Wrong Place and The Making Of. Evens has a fascinating eye for color,...
