Books

Batman in Dior

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Girl in Dior has been getting great press worldwide for its depiction of one of the most influential premiere collections in fashion history, but...

Alan Moore Interview Part III – Jack the Ripper, Joyce Brabner, and a Swan-Shaped...

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Previous parts of this interview: Part I – Steve Moore, River of Ghosts, The Show, and Twinkle Twinkle Little Star, and Part II –...

Conundrum’s fall line allows you to become a kitten

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Of course there are some great graphic novels in Conundrum Press's fall line, but the book I'm choosing to headline is "You Are a Kitten!' -- a shoose your own path book that will redefine how we perceive reality and yarn balls. But all these books look great. In particular, Fitzgerald had a great debut with Photobooth, a non-fiction graphic novel about the history of the photobooth. Turning her storytelling to her own tale sounds very promising.

Simon & Schuster Announce an “Amazing Fantastic Incredible” Comics Biography!

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While searching for new and exciting graphic novels soon to be published, I discovered something interesting... a new biography by a comics legend, co-written...

WonderCon ’15: Exhibition Hall Highlights

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By Nick Eskey Known for being the fan favorite of major conventions, with its relaxed nature and lines, WonderCon has been gaining in popularity over...

Uncivilized announces Fall lineup with Alden, Skaalrud, Evenson, Ball and Carré

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Uncivilized Books has had a few knockout books, with Maya Neyestani's An Iranian Metamorphosis getting a lot of wards consideration. And now here's the...

Roz Chast wins National Book Critics Circle Award for Best Autobiography

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https://twitter.com/RonCharles/status/576159074095644672 Roz Chast had an incredible 2014 as her book Can't We Talk About Something More Pleasant? topped best seller list, garnered award nominations left...

Laura Terry’s Graveyard Shakes to be published by Scholastic

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Laura Terry is a cartoonist, a graduate of Pratt and the Center for Cartoon Studies and a former Xeric Grant winner (for Overboard). And now she's had an original graphic noverl called Graveyard Shakes picked up by Scholastic. The cover looks great and the synopsis which you can read below also sounds very appealing. What interests me most about this deal is that, generally speaking, Laura Terry is unknown outside of minicomics circles, and this never appeared online as a webcomic, but she's had a whole GN picked up for publishing by one of the most successful publishers in the business.

Women and children conquered The Walking Dead in 2014 graphic novel sales

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Brian Hibbs has posted his annual Bookscan analysis—charting actual sales of books that report to Nielsen’s Bookscan sales charts. while Bookscan numbers are not...

Dark Horse Gives Nathan Drake The Art Book Treatment

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The pantheon of PlayStation has a rich library of quality games, but few have impacted the art of storytelling like the UNCHARTED franchise.

8,669,000 graphic novels were sold in bookstores in 2014

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Graphic novels were one of only two print fiction categories whose sales were up in 2014 (westerns were the other), according to Publishers Weekly's Jim Milliot in a piece called The Hot and Cold Categories of 2014. GNs were up 13% according to Bookscan. The article also includes a chart of all categories, and reveals that 8,669,000 graphic novels were sold in 2014, up from 7,659,000 in 2015. For comparison, 33,524,000 general fiction books were sold in 2014.

Must buy: Economics of Digital Comics by Todd Allen

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Disclosure: Todd Allen is a long-time contributor to this site, so read the following as advanced log-rolling if you will. That said, the book he kickstarted over the summer, Economics of Digital Comics is out. I have an early digital copy and this is really a book everyone in the comics business should read, especially people going into various digital models, from crowdfunding to subscription to pay what you want. Allen casts a cynical eye on most of this stuff, and runs numbers to show what works and what doesn't. But he also looks at print costs, and the economies of other channels to give a strong overview of what we talk about when we talk about selling comics in 2014. The book has new interviews with digital players and statistics on what webcomics earn from advertising, how much it costs to print books, what the big players take out of various delivery methods and more. All footnoted. And an introduction by Mark Waid, who has become something of the spokesman for Generation Digital.

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