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The Retailer’s View // Light It Up

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The Retailer's View returns with a warning about the future of the comics industry... and a look at what can hopefully be done to fix it.

SD Comic Fest ’18: Karen Berger and Steve Leialoha Reminisce Over Their Work With...

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Looking back, Berger could see how the idea was very much in Shelley Bond’s and Vertigo’s interests. “The thing about Grimm Fairytales, the real fairytales, are that they are frick’n scary and bloody,” she said. “There is something domesticated about them nowadays… And I think most people today have their ideas of fairytales because of Disney.”

INTERVIEW: Justin Hall’s LGBTQ Comics Celebration, NO STRAIGHT LINES, to Become a Full-Length Documentary;...

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"I remember the absolute last copy of the first print run, which I sold at Comic-Con. It was to a middle-aged, straight woman who was buying it for her teenage, gay son. She told me that she was getting the book for him because she wanted him to know his history and lineage, and she couldn’t tell that story to him herself. She thanked me for creating the book for the both of them and I promptly burst into tears. Then we hugged it out. It was an incredible moment."

SD Comic Fest ’18: Richard Bruning Discusses DC’s Failed Venture into Webcomics, “Zuda Comics”

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“It was quite a challenge because it was unlike anything DC had done,” said Bruning. Though they had been in the industry for years, they didn’t know how to deal with online talent and online competition. In many ways, they had to “rebuild” and rework their established view of comics.

SD Comic Fest ’18: A Spotlight on Karen Berger’s Career at DC’s Vertigo

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“You can count the comic book editors on one hand who are so influential to the medium and whose vision for their material is so strong that they really define a brand that gives the audience that kind of confidence. And one of them is here to my left, Karen Berger.”

Enter a UNIVERSE OF SUPER-HEROES with MoPOP’s Marvel Exhibit

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The exhibit features over 300 pieces on display, including original comic book art and movie props and costumes.

SD Comic Fest 18’: Cultural Appropriation; When It Is and Is Not Done Right

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“If we have it that one culture can’t tell the stories of another culture, we restrict ourselves.”

SD Comic Fest 18’: Cartoonist Lalo Alcaraz on How He Didn’t Want Disney’s “Coco”...

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Sometime after this, Pixar contacted Alcaraz. “They invited me for a ‘little-chat,’” he said. When they asked for his help to work on the movie, Alcaraz was stunned. “I was thinking, ‘wow universe, you have a sick sense of humor.” But, Alcaraz saw this as a great opportunity and accepted it. “I wanted to make sure this wasn’t going to be the Aladdin for Mexicans.”

Some thoughts on helping list the 100 Most Influential Comics Pages of All Times

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Over the last month or two I may have alluded to an outside project I was working on and it was this: The 100...

Crowdfunding Watch: Friendship, Bondage and the Public Domain

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Satiate your appetite for the fun, new, and different.

The Man Behind Homestuck: An Interview with Andrew Hussie

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  With the release of his massive hit webcomic hitting the bookshelves, I had the opportunity to speak with Andrew Hussie, the elusive and hilarious...

This weekend’s Big Apple brings comics history to programming with Royer, Fradon and more

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  By James Romberger and Heidi MacDonald This weekend, New Yorkers will get a chance to meet some comics industry legends when the Big Apple Con...

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