Cartoonists

New developments in the Atomic bankruptcy and Grant Morrison vs Chris Ware, and a new take on Kirby/Lee.

Now this is a great way to spend your money! Cartoonist Jason Young has spent the last three years slowly commissioning an array of great indie artists to redraw FANTASTIC FOUR #9, the issue co-starring the Sub-Mariner. It's a Coober Skeeber/Strange Tales mash-up that proves the talents of all involved. Young writes:

Last week legendary cartoonist R. Crumb disappointed Australian fans who were looking forward to a rare public appearance, when he withdrew, The cause was incendiary comments in a Sunday Telegraph piece called Smutty show a comic outrage which branded him a pervert. In a letter to the editor of the Sydney Morning Herald, Crumb explains himself a length, and to those who have branded him a woman-hating creep, it's mostly to make his wife happy -- she feared for his safety:

A special birthday shout-out to Jimmy Palmiotti, the best friend and advisor of almost everyone in comics--The Beat included--and creator or co-creator of comics from The Pro, Monolith, 21 Down, Painkiller Jane, Back to Brooklyn, and of course a long, acclaimed run on Jonah Hex.

Over on Google+, Meredith Gran, creator of OCTOPUS PIE, somewhat reluctantly weighs in on the women in comics thing:

So that said, here it is. My sincere thoughts on how to promote the presence of women in comics:

Pay them. No, seriously. Pay them with money.

Based on what we know of publishing data, August 8th, 1961 was the day FANTASTIC FOUR #1 arrived on newsstands. Tom Brevoort sent out a birthday tweet. Although there's talk of boycotts and justified anger over Marvel's shoddy treatment of some of its greatest talent over the years, we should still mark this day. Pairing the protean storytelling of Ditko and Kirby with the breezy populism of Stan Lee created some of the greatest adventure comics that have ever been, and we suspect they'll be read for another 50 years.

The must-read from yesterday is Michael Dean's look at the actual court documents ALSO, Spanish cartoonist Pepo Perez has his own comments on creator ownership, here in the Google translation. That's makes for some awkwardness, but also some great stuff.

Spinning out of a Facebook discussion, cartoonist and educator Steve Bissette is making a case for a boycott of Marvel over how shabbily they have treated Jack Kirby and his heirs:

A sad day for those who hoped, perhaps against hope, that Jack "The King' Kirby's heirs would get some of the money their father's creations have made over the years. Characters including Captain America (created in the '40s with Joe Simon), The Hulk, Iron Man and Thor-- you know, if they called next year's potential biggest-movie-of-all-time THE AVENEGRS "JACK KIRBY'S AVENGERS" they would not be far from the mark. Deadline has analysis, seeing it as a big setback for lawyer Marc Toberoff, who has won many unlikely IP cases against giant studios in the past:

I can totally relate to Lauren Weinstein's latest comic, The Sit Down Test. But not because I've recently spawned - I just failed the sit down test miserably and there's photographic evidence of it! Check that evil dressing room mirror, ladies. And be sure to check out more of Weinstein's work over at Vineyworld.

Cartoonist Darryl Ayo reminds us not to get too jaded, and a comics image gallery that would make anyone sit up and take notice.

In a change of policy, the New York Times' venerable Week in Review section will go from running a round-up of editorial cartoons on the topics of the week to specially commissioned work. Among those tapped, Brian McFadden, creator of Big Fat Whale. McFadden is 27 and lives in Massachusetts, giving the section a younger perspective, to say the least.