Comics

Every once in a while Marvel likes to get cultural by commissioing a bunch of variant covers in the style of great paintings. they've just done this with April's Avengers Art Appreciation Variants, which will whet your appetite for both the Avengers movie AND a trip to the local museum. Alex Maleev, Michael Kaluta, Gabriele Dell’Otto, Greg Horn, Gerald Parel and more channel Rembrandt, Michelangelo, Monet, Pollock, and Egon Schiele (one 'l'). Which one do you like best?

Superheroes have often stepped up to campaign for charities, but this morning's announcement of Warner's new WE CAN BE HEROES initiative has set the bar pretty high. A multi-pronged campaign spearheaded by DC Entertainment and WB has committed several million dollars to teaming with three charities to fight starvation in the Horn of Africa, where 13 million people are currently at risk due to drought and war. In addition to selling merchandise, DC Entertainment will match donations dollar for dollar up to $1 million.

The 2012 Toronto Comic Arts Festival has just unveiled it's first guests and it's as eclectic lineup of stellar creators from around the world, including Alison Bechdel, Jeff Smith Gabriel Bá and Fábio Moon, Guy Delisle, Kate Beaton, Bryan Lee O'Malley, Jason, and others from around the world. The festival also unveiled its to die for poster, by Bá and Moon. Held May 5-6 in Toronto, this free comics festival is shaping up to be one of the shows of the year. Although considered part of the"indie" circuit, TCAF's guest line-up, as in past years, spotlights creators from all levels of the medium. Webcomics, kids comics and cartoonists from 15 nations will be mingling in what many creators consider the best show of the year.

Having now had a little time to digest it, DC's secondary relaunch (wave two, line expansion -- pick your favorite term) looks like it might have a little more resonance for me, percentage-wise, than the initial relaunch. Whether this is a specific attempt to appeal to traditional fandom or happenstance, I can't tell you. I do have a few observations, though.

by Matt Demers

— [Yesterday's Apple announcement about a self-authoring tool to get books into the iBookstore sounded like a boon to comics creators and part of the whole DIY movement. However, as Matt Demers writes, it's not all as rosy as it looks.] —

In one of their much-hyped press events yesterday, Apple unveiled a new version of their iBooks with a specific focus on educational texts. When viewed on students' iPads, these once-boring textbooks would come alive with video, animations and graphics. There would also be the ability to annotate and create interactive glossaries, possibly bringing a bit of future flair to the medium.

In a world where every comics-to-movie project gets endlessly covered, SAVE THE DATE has pretty much flown under the radar -- but then it's an indie movie created by an indie cartoonist and not based specifically on a comics property. The film, based on ideas from indie cartoonist stalwart Jeffrey Brown, follows two sisters -- one about to get married, the other just broken up with her boyfriend, and how they approach love and commitment. Directed by Mike Mohan ("One Too Many Mornings") from a script by Mohan, Jeffrey Brown and Egan Reich, the movie debuts this weekend at Sundance and has already gotten some buzz behind it. It stars Lizzy Caplan (True Blood, 127 Hours), as the single sister (who happens to be a cartoonist), Alison Brie (Mad Men, Scream 4) as the sister about to get married, Martin Starr (Mad Love, Adventureland) and Geoffrey Arend.

2012 sees Telgemeier's next book, DRAMA, and it's another bullseye to the interests of middle-schoolers, dealing with the ever popular school play. On her blog, she just released the cover and it looks like another winner.

Well now the circle is complete. Former DC online VP Ron Perazza has joined comiXology as Vice-President – General Manager of Publisher and Creator Services. At DC, Perazza was responsible for the ambitious Zuda imprint and behind many other forward-looking initiatives. Since leaving DC last year he's been a bit of a free agent, but presumably his non-compete is over, and comiXology is the perfect place for him and furthers their place as the driver of the digital comics era.

So many layers of the awesome.

A piece at business site Fast Company has unveiled the new DC logo — and yeah, it's been chosen because it can be animated and — probably — make a sound. John Rood and Amit Desai, senior vice president of franchise management, roll out the new malleable, adaptable, interactive logo:

The Beat has now received Alex de Campi's rebuttal to James Hodgkin's statement on being fired from ASHES, the graphic novel project they got funded on Kickstarter for $32,000. I said I would have my comments, and they are sad ones. I'm an admirer of both creators involved here -- professionally and personally. But if there was ever a case of he said/she said this is it. "Creative differences" indeed. The whole thing reminds me (for the old timers out there) of D'arc Tangent, a long ago collaboration between Phil Foglio and Freff which dissolved into "creative differences," never to be seen again.

In many ways, Rob Leifeld's old Extreme line was the epitome of the Direct Market in the mid-90s. Imagine my surprise when I'm reading the relaunch of one of those books at realize it's very much a mid-80s comic. As with the Prophet re-launch, the Glory re-launch is something a bit different. This time out writer Joe Keatinge and artist Ross Campbell channel Miracleman and Airboy for their new series, debuting with Glory #23. Miracleman and Airboy? Yes, I said it.