Casanova returns from Marvel
I’m Comic Sans, As*hole.
Listen up. I know the shit you've been saying behind my back. You think I'm stupid. You think I'm immature. You think I'm a malformed, pathetic excuse for a font. Well think again, nerdhole, because I'm Comic Sans, and I'm the best thing to happen to typography since Johannes fucking Gutenberg.
Dark Horse, Toshiba, and USA Today announce DH:HD
Nice Art: Ted McKeever’s META 4
Two people who will not do things any more: Robert Crumb and Alan Moore
Buenaventura Press closure reactions
A French comic book from 1844/1856
Art Attack: The Rogue Taxidermy Show
Art Attack: David Sandlin in Berlin
The Alcott Analysis: Batman: Mask of the Phantasm
Batman: Mask of the Phantasm is in interesting entry in the world of long-form cinematic Batman stories for a few different reasons. First, it manages to do what the Tim Burton movies were unable to — make Bruce Wayne/Batman the protagonist of his own story. Second, it’s primarily a detective story as opposed to an action story. Third, at least half of the story is told in flashback, a parallel-action setup ambitious for an animated movie thought of as primarily for kids. Lastly, the story it tells is rather emotional and internal — Bruce/Batman broods a lot in this movie, even by his own standards. The action sequences feel perfunctory and tacked-on. The two that come to mind — a truck chase and the explosive finale — are poorly motivated and don’t advance the plot in any meaningful way.












