INDIE VIEW: Guilherme Petreca’s ‘Ye’ uses an ancient path for modern insight
John Seven reviews Guilherme Petreca's 'Ye'
INDIE VIEW: Telling women’s stories in ‘Colored’ and ‘Future Corpse’
John Seven reviews 'Colored: The Unsung Life of Claudette Colvin' and 'Future Corpse'
INDIE VIEW: ‘Cannonball’ explores the creative hell that is yourself
John Seven reviews 'Cannonball'
INDIE VIEW: Box Brown’s ‘Cannabis’ connects the dots between pot, power, and prejudice
John Seven reviews 'Cannabis: The Illegalization of Weed in America' By Box Brown
INDIE VIEW: ‘Chicken Rising’ just feels like the end of the world while ‘The...
John Seven reviews 'Chicken Rising' and 'The Consumptive #4'
This weekend: The 2019 MoCCA Arts Festival hits NYC
Edie Fake, Liana Finck, Keith Knight, and Bill Sienkiewicz are Guests of Honor
INDIE VIEW: ‘Bronze Age Boogie,’ ‘Invisible Kingdom,’ and comics by Miranda Harmon make for...
John Seven reviews 'Bronze Age Boogie #1' 'Invisible Kingdom #1' 'One Weird Trick' and 'Turtles'
INDIE VIEW: Canadian Anti-Semitism explodes in ‘Christie Pits’
John Seven reviews 'Christie Pits'
INDIE VIEW: A slimmed-down ‘Femme Magnifique’ offers 10 bios of magnificent women
John Seven reviews 'Femme Magnifique: 10 Magnificent Women Who Changed the World'
INTERVIEW: Jenn Woodall Talks Magical Girls Bashing Back & Exploring Empowerment Through Comics
The Beat catches up with Toronto-based artist Jenn Woodall.
INDIE VIEW: Old genre tropes rejuvenated in ‘The Blessed Machine’ and ‘When I Arrived...
The Blessed Machine #1
Written by Jesse Hamm and Mark Rodgers
Illustrated by Jesse Hamm
Cave Pictures Publishing
A kid’s normal nightmare about being engulfed by sinister plants...
