An interview on Watson’s newest graphic novel
Interview: Andi Watson crafts up a monstrous three courses with Princess Decomposia and Count Spatula
Interview: Scott McCloud on expectations, the creative process, and getting kicked out of a Holiday Inn for The Sculptor
30 years in the making, Scott McCloud’s new opus is available on February 3rd through First Second. McCloud was kind enough to sit down with us for a lengthy discussion about the new book, critical expectations, his creative process and how he balances his busy speaking schedule with the creation of a 500-plus page graphic novel.
by Edie Nugent Long-distance collaborators Kel Symons and Nate Stockman who worked together on I LOVE TROUBLE for Image have banded together again for their new sword and sorcery series REYN, also for Image, which saw it’s first issue debut this week. I spoke with Symons and Stockman about how they formed their partnership, what […]
Update: Just to clarify, this book is published by Udon Entertainment under license from Capcom. I’m told that they’ve done four other books under this model, all of them successful, and that the prints are indeed intended as compensation for the artwork. Is that a fair compensation? It may not seem like it when you […]
After a lengthy hiatus, the creative team behind Image Comics’ EGOs is back in action and ready to serve up more interplanetary crime drama with their upcoming fifth issue. Writer Stuart Moore and artist Gus Storms were kind enough to take some time to chat with the Beat about their series, in addition to humoring […]
I suspect that I’m not alone in thinking any day that brings new work from Dr Bryan Talbot is a very good day indeed. The fourth of his Grandville books, featuring the adventures of Detective Inspector LeBrock (who is, as the name might suggest to the scholarly, a badger) in an anthropomorphic steampunk Paris, is […]
Some rambling thoughts on various aspects of making comics and making money.
I alluded earlier to the sudden announcement that Nonplayer #2 by Nate Simpson was finished and would be presumably be coming out later this year. Simpson has written a much longer piece complete with a FAQ confirming that the issue will be in the May solicitations from Image; he’s contacted Image about reprinting issue #1 but no response yet, and Warners—which had optioned the comic—has let their rights lapse, so it’s there for the taking. And then he gets to why it took 3 1/2 years to draw the comic. It’s a long answer but I’ll lift a graph:
By: Alexander Jones “He’s definitely the largest robber baron in the history of the human species,” said author Joshua Dysart of Toyo Harada, the main character in his newest ongoing series Imperium. Valiant Entertainment could have just published another volume of their fan-favorite Harbinger title which Dysart also wrote and called it a day; but […]
Gary Spencer Millidge‘s Strangehaven may well be the best comic you’ve never read. Originally self-published in eighteen issues over the course of ten years, between 1995 and 2005 (with three collected editions, Arcadia, Brotherhood, and Conspiracies), it has been on what seemed like a permanent hiatus since then, despite the plaintiff pleas of tear-drenched fans […]
Web serialization of a comic intended for print is one of the standard models of comics production now (Although it still isn';t profitable but that’s a whole other post) and here’s avery insightful post by Ben Towle on the conclusion of his webcomic, Oyster War. I’ve been enjoying his account of local skirmishes between 19th century Chesapeake Bay oyster farmers since he started it in 2008, and much has changed in how he put the comics out in that period, including the rise of Tumblr and yet more social media. Towle offers some VERY practical advice including how running it on GoComics affected the comics, mistakes in character design and URLS (get a separate URL for your comic) and also preparing for print:
Mike Mignola chats with Douglas Wolk at Playboy about Hellboy and reveals a fundamental truth about artists—they write what they like to draw. There’s a fairly radical change in style for Hellboy in Hell. Well, there’s two things there. I hadn’t been drawing the book for a long time, and I changed the location radically. […]
Kickstarter maestros Jimmy Palmiotti and Justin Gray of Paperfilms are at it again, this time with a Western, Abbadon, a tale of murder and mayhem set in a town full of just about every vice you can imagine. As with previous projects, the book is being funded on Kickstarter, and as of this writing is a few thousand dollars from making its goal, with two weeks to go.