Artist Paolo Rivera recounts an amusing story of how he found himself on Google’s Street Viewstanding in front of Jim Hanley’s Universe. He adds some interesting tips on how he uses the service as an art reference:
Archives for 06/30/2011 3:53 pm
This monthly Brooklyn comics reading event returns with Bob Fingerman reading from his horror-themed works, and Keith Meyerson reading from a reissue of his pioneering work HORROR HOSPITAL.
A Facebook page has sprung up to organize a protest march against the new awful designs of the new 52. It seems some folks don’t like the new fresh DC designs that are all new:
Seeing as how it was somehow unearthed by Bleeding Cool, there is no way of knowing where this video featuring all of DC’s major editorial players save Geoff John talking about the relaunch was created for. It’s definitely aimed at consumers, but the actual venue we may never know. Or it may never have been released.
The video shows Dan DiDio, Jim Lee, Eddie Berganza, Bob Harras, and special guest star Grant Morrison each uttering the word “new” about 30 times each. Our impressions is that they want us to know that this is a NEW initiative and a NEW way of doing things. It’s NEW.
There’s been a bit of a blog tour about Josei, or manga for grown women of late. A podcast with Johanna Draper Carlson, David Welsh and Melinda Beasi can he heard here and includes lots of links.
We hadn’t seen this formally announced anywhere but we might have missed it: ICAF, the annual meet-up for international comics scholars, will be hosted at CCS this year. The conference will be held September 29-October 1, and spotlight the American Bande Dessineé Society.
Via BOOM!’s mailing list, Chip Mosher has a pretty clear suggestion that shows just how publishers are living on a copy here and a copy there. With DC’s massive relaunch coming up a lot of retailer dollars are going to be tied up elsewhere so a book like Roger Langridge’s SNARKED needs every little boost:
Ludovic Debeurme’sLUCILLE hits these shores this week, and it’s a stunner. In France, this hefty (500+ page) graphic novel about two teenagers from troubled families coming of age together was a major literary event, crossing over even with non-comics readers, and Top Shelf’s English version is very faithful to the original.
A collected edition of MALINKY ROBOT, Sonny Liew’s charming series about two urchins in a city full of giant robots, is coming out in August, and here’s the cover. Liew is the artist of MY FAITH IN FRANKIE, Marvel’s SENSE AND SENSIBILITY, and many other fine comics; he also edited two volumes of the Eisner-nominated LIQUID CITY, the Singapore comics anthology.
Anina Bennett wrote to share the cover to FUTURAMA #57, a steampunk story which includes a mashup of acerbic robot Bender with historical chameleon robot Boilerplate (created by Paul Guinan and Bennett) called…Benderplate. It had to happen.