Tag: Sales Charts

One of the stranger trends this month is the release of several comics based on 80’s and 90’s cult properties. The best of these, Jem and the Holograms (written by Kelley Thompson with art by Sophie Campbell) ranked in the top ten indie comics this month, and number seventy-seven on the total list. For those interested in male-led cult properties, check out Bill and Ted’s Most Triumphant Return from Boom! and Miami Vice from IDW. This month 144 titles hit the top 300 list, which is a bit up from last month’s total of 138. Without the near ludacris sales of Orphan Black #1, sales dropped 12.5%. Overall there were 1,723,032 sales in March compared to 1,969,396 in February. This brings the average number of comics sold to 11,966 which is also down from last month’s average of 14,271. Considering the Loot Crate aided numbers of February, March still seems to be holding its own.

by David Carter Greetings, sales charts fans! It's time once again to look at DC's sales figures. March 2015 was not a good sales month for DC in the North American direct market. Average sales per title for the DCU books (28,559), Vertigo (7,055), and DC as a whole (23,466) were all the lowest they've been since the New 52 started back in September 2011. Most of their sales problems were due to books that missed shipping in March, including their two top sellers, Batman and Justice League, and two other books that are in their top 30% (or so), Wonder Woman and Superman/Wonder Woman. A similar tune plays at the Vertigo label; with Sandman Overture MIA until May, the perpetually delayed American Vampire Second Cycle also not around, and Fables pretty much over (except for the oversized finale coming in July). That leaves Astro City as the regularly-shipping standard bearer for the imprint.

Welcome to a new analysis of the Marvel sales. Reminder: I'm the French guy who took over Jason for this column. Less figures, a comparaison with the issue#2 sales and some TPB sales at the end are the only big differences you could notice. Reminder: those sales are estimates, sales to comics shops in North America. American comics do get sold somewhere else in their original floppy edition. Keep also in mind that just because a copy is sold to a shop doesn’t mean it's sold to a customer. This would be way too easy. It's a little hard to be sure what the fate of each title will be after Secret wars: Marvel did release a list of the titles that will come back after the event, and confirmed that The Last Days banner was for titles that will stop publication. But, frankly, it's hard to believe the list, and seeing that a title can be cancelled to be relaunched one month later with no differences, the word “cancellation” can lose some of its meaning. I'm pretty sure they will change their mind on the way and that, in fact, they are not sure yet which titles will come back, waiting for how many copies those Battleword titles will sell before taking their real decisions.

reetings, sales charts fans! It's time once again to look at DC's sales figures. While DC's top seller, Batman, slid to #5 on the Diamond chart--behind the debut issues of Orphan Black (Loot Crate-enhanced), Darth Vader, and Spider-Gwen; and the second issue of Star Wars--things were in fact a bit rosier for DC in February. Especially compared to January, as the Harley Quinn freely-orderable variant was a good deal more popular with those doing the ordering than last month's Flash variant. In most cases adding 2K - 4K more copies for those titles with the HQ variant. (A couple, Batman & Flash, went up about 8K; while Batgirl mysteriously dropped instead.) For the most part, DC is in a holding pattern right now, as many titles are coming to a close next month and the move-induced mega-event Convergence on the slate for April & May followed by a sizable relaunch in June. So you'll have to forgive the brevity of many of the comments below, as their just isn't that much to say this month that hasn't already been said before. Don't worry, I promise that the next few month's DC sales charts will have plenty more excitement!

Fusion's Danielle Henderson runs some numbers and shows that New feminist Thor is totally outselling old Thor. Of course, we know all about first issue bump, standard attrition and all that, but obviously the book launched with a high degree of interest.

Greetings, sales charts fans! It's time once again to look at DC's sales figures. This month, nearly all of the comics with freely-orderable variants (Flash 75th anniversary) saw a drop of 3-4K. We've seen drops on these in the past months, but they were so uniform this month that I thought that maybe something else was going on. But the more I looked at it, I became convinced that it was the case the retailers as a whole just dropped their orders on these.

Brian Hibbs has posted his annual Bookscan analysis—charting actual sales of books that report to Nielsen’s Bookscan sales charts. while Bookscan numbers are not...

December felt like a rough month for comics, with seven titles seeing a drop of over 40% of their readers. The month wasn't all bad, however, as it also saw the release of Bitch Planet from Kelly Sue DeConnick and Valentine De Landro. It had the highest release of December, followed by Rumble (Image), Hellboy and the BRPD (Dark Horse), and The Valiant (Valiant Entertainment).

Comixology's Submit portal is a way for independent and self published digital comics to get onto the largest digital comics service out there, and many people have taken advantage of it. While no one seems to have gotten rich off it, a sale is a sale. And COmixology has just released a list of the top 25 sellers for 2014, topped by Gail Simone and Jim Calafiore's Leaving Megalopolis. This superheroes with a twist story was originally Kickstarted. The impressive Testament Omnibus by Douglas Rushkoff and a bunch of awesome artists was second, and Joe Benitez's Lady Mechanika was #3. Severl anthologies Kickstarted by the tireless C. Spike Trotman were also on the list...she is a powerhouse.

Graphic novels were one of only two print fiction categories whose sales were up in 2014 (westerns were the other), according to Publishers Weekly's Jim Milliot in a piece called The Hot and Cold Categories of 2014. GNs were up 13% according to Bookscan. The article also includes a chart of all categories, and reveals that 8,669,000 graphic novels were sold in 2014, up from 7,659,000 in 2015. For comparison, 33,524,000 general fiction books were sold in 2014.

With sales of more than a million copies and the number of confirmed variant covers at 89, Marvel's first Star Wars #1 in nearly 40...

Greetings, sales charts fans! It's time once again to look at DC's sales figures. After last month's Futures End 3D cover extravataganza, things return to normal in October. DC continued their freely-orderable variant cover program, with the theme this month being Monster covers. The comics with variant covers are still selling higher than they would have without them, but at this point the month-to-month effects are largely subsumed by regular considerations such as creative team changes, crossovers, and standard attrition. October saw the debuts of several DCU titles, to varying effectiveness. Deathstroke by Tony Daniel and several Batman-related titles did relatively well, while a couple of supernatural-theme books (Trinity of Sin and Klarion) did less so. October was also the debut of the highly-touted revamped Batgirl, which saw the comic jump up to a top-twenty title. DC's third weekly title, Earth 2: World's End, debuted in October. Here are the first month sales of all three weekly series (plus the most recent issue for BE & FE):